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PLAYBILL
CENTERPOINT LEGACY THEATER
Presents
Book, Music and Lyrics by:
MEREDITH WILLSON
Story by:
MEREDITH WILLSON and FRANKLIN LACEY
MUSIC RECORDING PROVIDED BY
MT PIT L.L.C.
WWW.THEMTPIT.COM
THE MUSIC MAN
is presented through special arrangement with Music Theatre International (MTI).
All authorized performance materials are also supplied by MTI. www.MTIShows.com
PRODUCTION TEAM
Executive Producer: Krista Davies
Assistant Production Manager: Carynn Butler
Director: Jim Christian
Choreographer: Jessica Merrill
Technical Director: Derek Walden
Stage Manager: Ashley Weller
Assistant Stage Manager: Greg Larsen
Costume Designer: Tammis Boam
Lighting Designer: Graham Whipple
Sound Designer: Jay Clark
Set Design: JD Madsen
Set Design Assistant: Emma Hoffbauer
Scenic Charge Artist: Cynthia Klumpp
Scenic Painter: Janae Gibb
Wig Designer: Shelly Swenson
Prop Master: Silas Stott
Costume Stitchers: Syd Howard, Laura Miles, Susan Robbins, Tara Boss, Jennie Westfall, Shelley Davies, Ann Casper, Rachel Lindsey, Raquel Davis, Laurie Oswald
Crochet Specialist: Mary Kirkbride
Shop Foreman: Truxton Moulton
Scenic Construction: Silas Stott, Randall Farrell, Truxton Moulton
Lighting Technicians: Dallin Alvey, Amie Howell
Sound Technicians: Camille Chandler, Hillary Horne
Spotlight Technicians: Josie Adams, Victoria Tolley, Hailee Horne, Devon Havir
Stage Crew: Mark Andrus, Bradley Howell, Chris Nelson, Jill Howell, Emily Auton, Leah Merrill, Carter Maxfield, Cydney Hall, AJ Hadley, Jessica Turner, Brynn Thurston
Cast Youth Attendants: Chelsea Marsden, Kirsi Jarvis
MUSIC RECORDING PROVIDED BY
MT PIT L.L.C.
ww.THEMTPIT.com
POLICIES & PROCEDURES
- No cancellation or refunds.
- Ticket exchanges must be made in person at the Box Office at least one business day prior to the performance. Exchanged tickets must be surrendered at that time. We cannot accommodate late changes. There will be a $5 exchange fee per ticket.
- Season Ticket Holders are allowed one free exchange per show. Additional exchanges
are $5 per ticket. - Reserved seating will be held until curtain after which alternate seating will be used.
- Doors open 30 minutes before show time.
- Late-comers cannot be guaranteed seating.
- No children under the age of 3 years may attend any production.
- Please do not bring outside food or drink into the theater.
- Please turn off all pagers, cell phones, and other electronic devices.
- The video and/or audio recording of this performance by any means whatsoever is strictly prohibited.
- Box Office hours are Monday-Saturday 10:00AM – 6:00PM
- Restrooms are located on both floors on the east and west sides of the building.
SEASON SPONSORS
CENTERPOINT TEAM
Board of Directors
Paul Cutler
Chair
Sterling Jenson
Vice Chair
James Ahlstrom
Shawn Beus
Jason Burningham
Kenneth Cutler
Michelle Falk
Gayla Gallacher
Cathleen Gilbert
Fred Hale
Kendalyn Harris
Lowell Leishman
Dan Liljenquist
John Redd
Clark Wilkinson
Lee Wright
Management Team
Jansen Davis, Executive Director
Krista Davies, Executive Producer
Brian Hahn, Leishman Hall Producer
Shelley L. Davies, Director of Development & Grant Coordinator
Amy R. Gapinski, Marketing Coordinator
Holly K. Reid, Public Relations & Social Media Specialist
Danny & Wendy Inkley, Directors CenterPoint Academy
Kristy Woodward, Chief Financial Officer
Keri Stewart, Staff Accountant
Diana Jensen, Box Office Manager
Laurie Hahn, House Manager, Volunteer Coordinator
Derek Walden, Technical Director
Truxton Moulton, Asst Technical Director/Shop Foreman
Tammis Boam, Costume Department Manager
Laurie Oswald, Costume Shop Supervisor
Cynthia Klumpp, Scenic Charge Artist
Silas Stott, Property Manager
Box Office Staff: Janice Spencer, Rachel Jensen, Pam Christy, Beverly Cutler, Jenine Spencer, Chris Brown, Annette Houston, Debbie Cabezas, Nancy Johnsen.
Concessions Staff: Adi Summerhays, Erin Stewart, Grace Boyce, Jared Lyman, Joshua Rogers, Katelyn Stewart, Maclayne Inkley, Ruby Anderson, Katri Redd, Drew Eversole, Lyla Miller.
IT Staff: Mark Wagstaff
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STROBE LIGHTS AND FOG MAY BE USED DURING THIS PERFORMANCE
POLICIES & PROCEDURES
- No cancellation or refunds.
- Ticket exchanges must be made in person at the Box Office at least one business day prior to the performance. Exchanged tickets must be surrendered at that time. We cannot accommodate late changes. There will be a $5 exchange fee per ticket.
- Season Ticket Holders are allowed one free exchange per show. Additional exchanges
are $5 per ticket. - Reserved seating will be held until curtain after which alternate seating will be used.
- Doors open 30 minutes before showtime.
- Late-comers cannot be guaranteed seating.
- No children under the age of 3 years may attend any production.
- Please do not bring outside food or drink into the theater.
- Please turn off all pagers, cell phones, and other electronic devices.
- THE VIDEOTAPING OR MAKING OF ELECTRONIC OR OTHER AUDIO AND/OR VISUAL RECORDINGS OF THIS PRODUCTION AND DISTRIBUTING RECORDINGS OR STREAMS IN ANY MEDIUM, INCLUDING THE INTERNET, IS STRICTLY PROHIBITED, A VIOLATION OF THE AUTHOR(S)’S RIGHTS, AND ACTIONABLE UNDER UNITED STATES COPYRIGHT LAW.
- Box Office hours are Monday-Saturday 10:00 AM – 6:00 PM
- Restrooms are located on both floors on the east and west sides of the building.
FROM THE DIRECTOR
Once upon a time, the holidays were not an onslaught of made-for-TV Christmas movies.
Over the years, we have looked on with great anticipation as Hollywood gifted us with motion pictures that have earned the title of “Holiday Classic.” Certainly, the earliest of these was Charles Dickens’ A Christmas Carol which has spawned countless reinventions over time. Then came It’s a Wonderful Life which provided us with great life lessons and a tear-inducing ending that I still can’t get through with a dry eye. Holiday Inn and White Christmas both earned their spot on the “must-watch” roster and television soon chimed in with a new type of classic with A Charlie Brown Christmas, Rudolph, the Red-nosed Reindeer, and How the Grinch Stole Christmas.
However, in 1983 a new classic joined the ranks: A Christmas Story hit the screens which was based on Jean Shepherd’s book, In God We Trust, All Others Pay Cash. This warm and humorous recollection of Christmas in mid-America in 1940 spawned such a loyal following that one television station now plays it for 24 hours straight every Christmas Eve.
What has generated this immense popularity? Perhaps its charm comes from reminding us that toys were once designed to spark a child’s creativity and imagination or get them out into the fresh air. Maybe it has something to do with the simpler joys of singing carols in the car with your family, the giddy anticipation of visiting Santa’s lap or sitting down to a delicious turkey dinner. Or perhaps it’s the honesty and charm of an everyday family experiencing the spirit of the season with all of its quirks and unexpected challenges.
Whatever the reason, we now have a whole new set of “Christmas” icons that signal the season for a dedicated audience: a table lamp in the shape of a woman’s leg; a pink bunny suit; a frosty flagpole; an inflexible snowsuit; a bar of Lifebuoy soap; and that gift of all gifts, a Red Ryder Carbine Action BB Gun!
So hop in the car with Ralphie, Randy, Mother, and the Old Man for a delightful holiday outing! We’re going to Higbee’s!
Jim Christian – Director
SYNOPSIS
It’s 1940 in the middle of Indiana and the Christmas season has finally arrived! Like all children around the world, Ralphie has one thing on his mind: what he wants for Christmas. He has spent plenty of time thinking and planning and plotting and has come up with the most perfect gift, no… the Holy Grail of Christmas gifts: an official Red Ryder Carbine-Action, Two-Hundred-Shot Range Model Air Rifle! Now all he has to do is convince his parents, his teacher Miss Shields, and even Santa that he won’t “shoot his eye out” and his Christmas will go down as the most perfect Christmas any kid has ever experienced. Despite their rebuffs, he’s not about to let their negativity get him down; he is determined to use every tactic he can think of to persuade them.
Along with his friends and little brother Randy, Ralphie learns what it’s like when you stick your tongue to a freezing lamp post, when you fight the neighborhood bully, when your Dad wins a major award, and when you get stuck wearing a pair of fluffy pink bunny pajamas. Through it all, they manage to share the joy and imagination that only a child can bring to the holiday season in this fun and nostalgic musical that has become a tradition in homes across the country.
Scene / Song List
ACT ONE
Overture
Prologue: Christmas Eve, Several Years Ago, A Street Corner Outside Radio Station WOR, New York City & The Radio Studio Desk
Scene 1: December 1, 1940, The Parker Family House & Higbee’s Department Store
It All Comes Down to Christmas – Ralphie, the Parkers, and Ensemble
Higbee’s Window – Ralphie
Red Ryder Carbine Action BB Gun – Ralphie and Jean
It all comes down to Christmas (reprise) – Ralphie and Company
Scene 2: The Next Day, The Parker Family House & Yard
The Genius on Cleveland Street – The Old Man, Mother
An Opening – Ensemble
Scene 3: Soon Afterward, A Path From School
When You’re a Wimp – Kids
Scene 4: A Few Minutes Later, The Classroom
Ralphie to the Rescue! – Ralphie, Miss Shields, The Old Man, Mother, Randy, and Ensemble
After Ralphie to the Rescue! – Ralphie
Scene 5: A Week Later, The Parker House
What a Mother Does – Mother
A Major Award – Old Man, Mother, Ensemble
Scene 6: Early Evening December 13th, The Parker House
Scene 7: Immediately Following, On the Road
Parker Family Singalong – The Parkers
Scene 8: Late That Night, The Parker House
Act One Finale – Ralphie, Old Man, Mother, and Ensemble
INTERMISSION
ACT TWO
Entr’Acte
Scene 1: The Schoolyard & Classroom
Sticky Situation – Ralphie, Flick, Schwartz, Kids, Miss Shields
Scene 2: Fantasy 1930’s Speakeasy
You’ll Shoot Your Eye Out! – Miss Shields and Kids
Scene 3: Immediately Following, A Path From School
Scene 4: A Few Minutes Later, The Parker House
Just Like That – Mother
Red Ryder Carbine Action BB Gun – Ralphie
Scene 5: Christmas Eve, Santa’s Station at Higbee’s
At Higbee’s – Elves, Ensemble
Up on Santa’s Lap – Santa, Elves, Ralphie, Randy, Kids, and Ensemble
Scene 6: Christmas Eve, The Parker House
Before The Old Man Comes Home – Ralphie and Randy
Scene 7: A Half-Hour or So Later, The Boy’s Bedroom
Somewhere Hovering Over Indiana – Ralphie, Randy, and Kids
Scene 8: Christmas Morning, The Parker House & A Chinese Restaurant / The Town
Christmas Morning – Ralphie
Ralphie to the Rescue (reprise) – Ralphie and Ensemble
A Christmas Story – The Parkers and Full Company
CAST LIST
| Character | M/W/F | T/Th/S |
|---|---|---|
| Ralphie Parker | Soren Ray | McGuire Bingham |
| Jean Shepherd | Scott W. Butler | Darin J. Beardall |
| Frank Parker - The Old Man | Juston LeBaron | Mark Gurney |
| Mother | Jessica Love | Mollee Steele |
| Randy Parker | Sam Akerlow | Ross Leo Clemens |
| Miss Shields | Bailee DeYoung | Kacee Neff |
| Schwartz | James Leger | Edward Boam |
| Flick | Trevin Hamblin | Drew Gardiner |
| Scut Farkus | Ben Liljenquist | Cameron Berkley |
| Dill | Simon Gibbs | John Nelson Wakley |
| Santa Claus | Andy Leger | Nathan E. Asay |
| Elf #1 | Andrew Bringhurst | Matt Hewitt |
| Elf #2 | Chantryce Diehl | Taylor McKay Barnes |
| Roger | Micah Thornton | Trenton Lundberg |
| Marybeth | Sophie Utley | Amy Gurney |
| Becky Sue | Emmalee Larsen | Reagan Miller |
| Esther Jane | Andi Thomas | Madison Child |
| Clara Mae | Olivia Larsen | Ainsley Monroe |
| Dora Jo | Eden Liljenquist | Tori Sommerville |
| Teen #1 | Jaimee Monson | Avery Koford |
| Teen #2 | Patrick Simmons | Tayson Wardle |
| Men's Ensemble | Jordon LeBaron | Romney Mathewson |
| Men's Ensemble | Chad Wilkinson | Tad Wilson |
| Men's Ensemble | Landon LeBaron | Derek Lundberg |
| Men's Ensemble | Devon Oltmanns | Paul Dixon |
| Women's Ensemble | Meg Cash | Tara Wardle |
| Women's Ensemble/Mrs. Schwartz | Laura Crossett | Angela Brown |
| Women's Ensemble | Deveri Thornton | Tara Wilson |
| Women's Ensemble | Brooke Liljenquist | Jennifer Morgan |
| Women's Ensemble | Beth Campbell | Erin Bates Hazard |
| Waiter/Waitress | Matt Trenery | Sandy Thuy Ann Jensen |
| Bumpus Hound | Phoenix | Phoenix |
CAST BIOGRAPHIES
CAST BIOGRAPHIES
2022 SEASON
We are thrilled about our upcoming 2022 Season at CenterPoint Legacy Theatre. Whether you are a long-time part of our CPT family or a new season ticket holder, the lineup for 2022 is packed with shows that will keep you coming back again and again.
They say laughter is the best medicine, so get ready for a much-needed dose delivered up in The Play That Goes Wrong. Set in the 1920s, the actors of The Cornley Polytechnic Drama Society do their level best to uphold the time-honored adage that “the show must go on” as they present to you the opening night of “Murder at Haversham Manor”. Quickly things go from bad to disastrous, and with an unconscious leading lady, a corpse who can’t seem to play dead, and actors who not only trip over their lines, but everything else on stage, you have the recipe for a riotous dose of healing laughter!
It’s IMPOSSIBLE not to love the Broadway revival of Rodgers and Hammerstein’s Cinderella. This beautifully staged show is filled with romance, hope, unforgettable melodies, and of course, magic. It’s the perfect show for the whole family!
Big Fish is a heartfelt, powerful, and truly magical musical about fathers and sons, and the stories we use to define and shape our lives. The music is as beautiful and powerful as the story, and you just may walk away with some new favorites.
Go Go Go Joe! One of the most enduring musicals of all time, Joseph and the Amazing Technicolor Dreamcoat is a reimagining of the Biblical story of Joseph, his father Jacob, eleven brothers, and the envy of their favored brother with his coat of many colors. Written by Tim Rice and Andrew Lloyd Webber, this show is a musically eclectic journey masterfully told using different genres of memorable tunes you’ll be singing long after. Joseph is a great show for the entire family.
Bright Star is a beautifully written musical about a young woman growing up in the Blue Ridge Mountains of North Carolina. We see her first as a young carefree woman and then watch how her life changes as she becomes a well-to-do magazine editor 22 years later. Her story is inevitably woven with that of an idealistic young man named Billy, with whom she shares a mysterious connection. The bluegrass score, (written by actor Steve Martin and Edie Brickell) provides a rich musical palette with which this story is painted.
The best way to spread Christmas cheer is to see Elf, The Musical. This wildly popular musical is packed with all the magical ingredients needed for the perfect start to your Christmas season. Come along with Buddy the Elf on his adventure to find his dad and ultimately save Christmas!
STEPPING INTO DAD'S SHOES
In CenterPoint Legacy Theatre’s production of The Music Man, Russell Maxfield gets to honor his Father in a unique way: by figuratively and literally walking in his shoes. As a child, Russell had the opportunity to play Winthrop while his Dad played Harold Hill for Pages Lane Theatre production. Now, Russell takes on the role of Harold Hill while his Father joins the ensemble and he might even get to wear a pair of his Dad’s Harold Hill shoes on stage.
Russell grew up knowing and loving the music and story of The Music Man, but now sees how deep the storyline goes. He feels like there are many connections to our lives in Centerville and Davis County. He says, “The good guy really starts off as the bad guy. He ends up changing the town and the town changes him.” Russell began on the stage at age 6 at Pages Lane Theatre, with Ralph Rodgers being a big part of why he originally began acting. While playing the part of Winthrop, Russell tried to learn the trumpet but eventually steered toward vocal performances. As a young boy he remembers seeing The Music Man’s Director, Shelby Ferrin, play Joseph in Joseph and the Amazing Technicolor Dreamcoat and it inspired Russell to play the same role as an adult. Some of his favorite roles have been when he’s playing the good guy, like Joseph, or the bad guy, like Gaston in Disney’s Beauty and the Beast. With the role of Harold Hill, Russell feels like he gets to explore both those character types.
Russell is happy to be back at CenterPoint where he knows the people from the community where he grew up. He appreciates that CenterPoint is a community theater with high quality performances. He encourages people to come find something new in The Music Man. He notes, “The Music Man feels like the original Hamilton. There is so much fast, rhythmic speaking that almost feels like rapping. The more you get into the music and story it is even better than you will remember.” He hopes that audiences will enjoy this look into a time when a small community learns to welcome differences that add value to their lives.
HONORING MARCELLUS
Amanda Rogers is no stranger to the classic story of The Music Man. As Ethel Toffelmier in the M/W/F cast, Amanda is pleased to be a part of this musical for the third time. This time she dedicates her performance to her father whom she shared the stage with during her two previous productions and who passed away six years ago. Her father had been Marcellus in these shows and Amanda honors him in the role closest to Marcellus – Ethel Toffelmier.
Community theater has long been a past-time of Amanda’s. She began as a child in Riverton, Bluffdale, and Sandy community productions. Amanda grew up sharing the stage with her family in many productions. Last season she loved joining CenterPoint’s team in the production of My Fair Lady and remembers how fun the costumes were that helped the cast transform from high society to servants throughout the show. One of her favorite roles has been Princess Puffer in The Mystery of Edwin Drood. She loved playing a character outside of her comfort zone and the audience participation that changes the end of the show always kept the cast on their toes.
CenterPoint is honored to have Amanda and the rest of the The Music Man casts make this production an unforgettable tribute to the power of community. She tells about this production, “The Music Man is a simple show with so much heart. The music is upbeat and happy and perfect for wintertime.” When asked about what she likes about being onstage at CenterPoint, she responded, “the professionalism of the whole production team from the costumes, to sets, and lighting. Also, it feels like family.” As Amanda honors her father and her family through the portrayal of Ethel Toffelmier, we know that you will leave The Music Man with a skip in your step.
Thank You To Our
2021 Season Show Sponsors
First Community Bank
WCF Insurance
Cache Valley Bank
Scott and Karen Keller
Dewsnup, King, Olsen, Worel, Havas, Mortensen Attorneys At Law
PRODUCTION TEAM BIOS
Krista Davies
Executive Producer
Krista is thankful for the opportunity to work with this production team, cast, and crew. She appreciates the support of this community and the value it places on the arts and how it impacts our lives.
Jim Christian
Director
Jim Christian is a native of Utah with over 35 years of professional experience as a director, teacher, actor,
writer, and producer in the areas of theatre, television, and film. He has worked as a director and choreographer for the Tony Award-winning Utah Shakespearean Festival, Pioneer Theatre Company, CenterPoint Legacy Theatre, Utah Opera Company, Utah Symphony, Old Lyric Repertory Company, Hale Centre Theatre, Utah Musical Theatre, Park City Egyptian Theatre, Rodgers Memorial Theatre, the Grand Theatre, Utah State University, and theatres in California, Arizona, Montana, Florida, Wyoming, Tennessee, and Illinois. In 1996 he was awarded the “Crystal Crest Master Teacher of the Year” for Weber State University. He was the recipient of Utah’s “Best in State” award in 2006 for “Outstanding University Professor.” He was also named “Presidential Distinguished Professor” at Weber State in 2009 and the Dean’s Distinguished Service Award for the College of Arts and Humanities in 2021. Jim is a member of the Society of Stage Directors and Choreographers and The Dramatists Guild. Always delighted to celebrate Christmas at CenterPoint!!!
Carynn Butler
Production Assistant
Carynn loves her husband and her puppies. She likes most books and some movies. Her favorite food is delicious. When she’s not here at the theater, she is usually somewhere else.
Jessica Merrill
Choreographer
Jessica is always happy for the
opportunity to be back choreographing at CPT. Some past favorite choreography credits include Holiday Inn (CPT), Crazy For You (CPT), Curtains (CPT), Peter Pan (CPT & OMT), and Hairspray (CPT & The Grand Theatre). Jessica is also a coach for the Layton High Lancelles and loves any chance for a job where she can share her passion for dance. As always, lots of love to Josh and Christian!
Derek Walden
Technical Director
Derek is happy to oversee all of the technical operations of both the Barlow Mainstage and the Leishman Performance Hall Productions. He’s an alumnus of the Weber State Theater Program.
Ashley Weller
Stage Manager
Ashley is so happy to be back at CPT and has so enjoyed spending the holiday season with this great cast and crew. Love to Ian, Winnie, and Luke for their unwavering support.
Greg Larsen
Assistant Stage Manager
What do you get when you combine the greatest movie of all time (and a patient wife) with spreadsheets and a headset? Dreams come true! Greg is thrilled to be back at CPT and this time supporting this incredible team of actors, two of which are his delightful and talented daughters. Enjoy this A+++ production and be sure to drink your Ovaltine.
Tammis Boam
Costume Designer
Tammis Robbins Boam has worked for numerous productions locally and nationally, but CenterPoint Legacy Theatre is truly her home. She thanks her family for their support in designing their favorite Christmas classic. It has been a joy to share this experience with her youngest, Edward, who plays Schwartz. Enjoy the show, I triple dog dare you!
Graham Whipple
Lighting Designer
Graham is the Assistant Professor of Lighting Design at Utah Valley University and a Utah-based lighting designer who has worked in the Chicago area, the Los Angeles area, and in the Utah Valley. In addition to lighting design and education, Graham has a background in digital media and media server programming; working on projects around the country from Los Angeles to Washington D.C including theater, television, architecture, and special events.
Jay Clark
Sound Designer
Jay is excited to be invited back to help with production at CenterPoint. Jay has worked in theater since he was a teenager and still enjoys it today. He loves how each theater performance is a unique experience only shared by those involved.
Cynthia Klumpp
Scenic Charge Artist
A Christmas Story marks Cynthia’s 56th show at CenterPoint. She has loved making every show come to life on the CPT stage. She also served as the Scenic Charge Artist at the Tuacahn Amphitheater for 8 years. You may have seen some of her Tuacahn favorites, Prince of Egypt, Beauty and the Beast, Count of Monte Cristo, and School of Rock.
Shelly Swenson
Wig Designer
Shelly is thrilled to be a part of the CPT family with A Christmas Story. She has done many things as a performer. Some of her favorites being The Wizard of Oz, Singin’ in the Rain and being a featured soloist in the 2017 & 2019 Temple Square Concert Series. She is excited to be experiencing things from the perspective of the production team again.
Truxton Moulton
Shop Foreman/Asst. Technical Director
This is Truxton’s second season at CenterPoint Legacy Theatre and he is excited to join the team. He has worked in many different venues across Utah, from Old Lyric Repertory, Pioneer Theatre, and the LDS Conference Center. Most recently he was the ATD at Tuacahn. He is also the proud father of 5 awesome kids and the luckiest man to be married to his wife of 14 years, Megan.
Silas Stott
Props Designer
Silas loves being on stage and behind the scenes. He’s thrilled to be working with this insanely talented production team and cast.
Cynthia Klumpp
Scenic Charge Artist
The Scarlet Pimpernel marks Cynthia’s 44th show at CenterPoint. She has loved making every show come to life on the CPT stage. She also serves as the Scenic Charge Artist at Tuacahn Amphitheater. You may have seen her work at this past year’s Prince of Egypt, Cinderella and Matilda.
She is grateful to her family for their undying support and love.
Shelly Swenson
Wig Master
Shelly is thrilled to be joining the CPT family with The Scarlet Pimpernel. She has done many things as a performer. Some of her favorites being, The Wizard of OZ, Singing in the Rain and being a featured soloist in the 2017 & 2019 Temple Square Concert Series. She is excited to be experiencing things from the perspective of the production team for the first time.
Trish Child
Prop Master
As a mom, Trish is well-versed with finding things for people, locating what’s lost, keeping things in proper places & creating a space to let the imagination free. Whether the places are a magical island, a lonely bell tower in Notre Dame, the boroughs of New York, or 1792 France, working at CPT keeps those skills sharp. She loves working alongside her daughter to bring another rich story to life.
Taylor Wilson
Prop Master
Taylor wants to give you “props” …literally. Whether pirates, newsies, “lost boys” or bounders. She’s a master of ensuring CPT actors have their hands full, tables covered, & their swords ready for a fight. She’s thrilled to be part of another fantastic show, & encourages you to take a moment, & give yourself “props” every now & then.
Truxton Moulton
Shop Manager/Asst. Technical Director
This is Truxton’s second season at CenterPoint Legacy Theatre and he is excited to join the team. He has worked in many different venues across Utah, from Old Lyric Repertory, Pioneer Theatre, and the LDS Conference Center. Most recently he was the ATD at Tuacahn. He is also the proud father of 5 awesome kids and the luckiest man to be married to his wife of 14 years, Megan.
Michael Gray
Lighting Designer
Michael has over 50 lighting designs to his credit, including The Little Mermaid and Aida for CenterPoint Legacy Theatre, Tarzan and Phantom of the Opera for Hale Centre Theatre in Sandy, Ain’t Misbehavin’ for the West Valley Arts, and Next to Normal at Utah Valley University, for which he received the Outstanding Lighting Design award as part of the Kennedy Center Annual College Theatre Festival.
AUTHORS BIOS
Alan Menken
Author/Composer
Legendary composer Alan Menken has created some of the most beloved songs and musical scores of our time.
His unique voice, as a composer, a lyricist, and a musical theater dramatist has captured the imaginations of audiences for over 35 years.
Alan’s stage musicals include God Bless You Mr. Rosewater, Patch Patch Patch, Atina: Evil Queen of the Galaxy, Real Life Funnies, Little Shop of Horrors, The Dream on Royal Street, Kicks, The Apprenticeship of Duddy Kravitz, Beauty and the Beast, A Christmas Carol, Weird Romance, King David, The Hunchback of Notre Dame, The Little Mermaid, Sister Act, Leap of Faith, and Newsies. He has also contributed to such revues as Personals, Diamonds, and On the Record.
His film musicals include Little Shop of Horrors, The Little Mermaid, Beauty and the Beast, Newsies, Aladdin (1992 and the 2019 live-action remake), Pocahontas, The Hunchback of Notre Dame, Hercules, Home on the Range, Enchanted, and Tangled. His dramatic underscores for films include Life With Mikey, Noel, The Shaggy Dog, and Mirror Mirror. He has contributed songs to such films as Rocky V, Home Alone 2 – Lost in New York, Life With Mikey, and Captain America – The First Avenger.
Alan’s television credits include writing numerous songs for “Sesame Street“, composing the score for the ABC mini-series “Lincoln“, contributing songs for the musical Polly, the Hallmark adaptation of his musical of A Christmas Carol, and the songs for an episode of the ABC-TV series “The Neighbors“.
His songwriting collaborators have included Howard Ashman, Tim Rice, Stephen Schwartz, David Zippel, Jack Feldman, David Spencer, Lynn Ahrens, Dean Pitchford, Glenn Slater, Chad Beguelin, and most recently Benj Pasek and Justin Paul for the 2019 live-action film remake of Aladdin.
Alan won the 2012 Tony and Drama Desk Awards for his score to Newsies. He currently has more Academy Awards than any other living individual, including four for Best Score (The Little Mermaid, Beauty and the Beast, Aladdin and Pocahontas) and 4 for Best Song (“Under the Sea”, “Beauty and the Beast”, “A Whole New World” and “Colors of the Wind”). He has earned 11 Grammy Awards (including Song of the Year for “A Whole New World”), 7 Golden Globes, London’s Evening Standard Award, the Olivier Award, the Outer Critics Circle Award, and the Drama Desk Award.
Other notable achievements include induction into the Songwriters Hall of Fame and Billboard’s number-one single (“A Whole New World”) and number one album (Pocahontas). In 2001 he received the distinction of being named a Disney Legend. He has also been awarded two doctorates in Fine Arts from New York University and the North Carolina School of the Arts. In 2010 he received his own star on the Hollywood Walk of Fame.
Glenn Slater
Author/Lyricist
Glenn Slater (Lyrics) co-created Disney’s 2010 worldwide smash Tangled (2011 Grammy Winner, 2010 Oscar and Golden Globe nominee), as well as the Broadway and international hit musicals Sister Act (2011 Tony nominee – Best Score) and The Little Mermaid (2008 Tony nominee – Best Score, Grammy nominee – Best Cast Album), and, most recently School of Rock (2015). With longtime collaborator Alan Menken, he is Executive Producer and Lyricist for the ABC-TV musical comedy series Galavant and has also written songs for the Disney animated film Home On The Range (2004) and the Broadway musical Leap of Faith (Tony nominee – Best Musical, 2012). In the West End, Glenn provided both book and lyrics for Andrew Lloyd Webber’s Love Never Dies (2010 Olivier nominee – Best Musical), the sequel to Phantom of the Opera. Other work includes an Emmy-nominated song for the ABC-TV comedy The Neighbors (2013), and the stage revue Newyorkers at The Manhattan Theatre Club (Lucille Lortel, Drama Desk, Outer Critics Circle nominations). Glenn is the recipient of the prestigious Kleban Award for Lyrics, the ASCAP/Richard Rogers New Horizons Award, and the Jonathan Larson Award. He is an alumnus of the BMI Musical Theatre Workshop and a member of both ASCAP and the Dramatists’ Guild.
Cheri Steinkellner
Author/Writer
Cheri Steinkellner has won four Emmy Awards, two Golden Globes, The People s Choice, BAFTA, Writers Guild Award, Parents Choice, and TV-Land Legend Awards, for writing and producing Cheers (recently named one of the Top 10 Best Written Comedies in TV history), and The Jeffersons, Facts of Life, Family Ties and Who’s The Boss, and for creating the acclaimed Disney animated Saturday morning TV series and feature film, Teacher s Pet. A 2011 Tony-nominee for Sister Act (with husband Bill Steinkellner, Alan Menken and Glenn Slater); Cheri has also written Princesses (with Bill, David Zippel and Matthew Wilder); and book and lyrics for Mosaic (with Georgia Stitt), and Jailbirds on Broadway (with Bill and Jeff Rizzo). Other stage includes Our Place, and Instaplay – L.A. s original – and longest-running – improvised musical-comedy. An Indy Award winner and Ovation nominee for Hello! My Baby, Cheri currently teaches writing at Stanford and UCSB and directs youth theatre in beautiful Santa Barbara, where she and Bill raised their three favorite children/writers/ artists: Kit, Teddy, and Emma.
Bill Steinkellner
Author/Writer
Award-winning television and screenwriter: “Cheers” and Disney’s “Teacher’s Pet” (Emmys, Golden Globes, BAFTAS, Writers Guild, and People’s Choice Awards). Book writer (with wife, Cherri): Sister Act the Musical (London Palladium, Hamburg, Broadway 2011), Princesses (Goodspeed, 5th Avenue). Writer/director (with Paul Reubens): the original Pee-wee Herman Show (Groundlings, Roxy Theatre, HBO). Creator/director: Instaplay, L.A.’s first all-improvised musical-comedy. Author: the L.A. Times bestseller Postcards From the Moon.
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A special “THANK YOU” to donors of their 2020 Season & Single Ticket Purchases to sustain CPT through the pandemic:
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Iron Vista Development Group
Jensen, Melanie
Jenson, Sterling & Joleen
Joy Luck Restaurant
Keller, Scott & Karen
Kershisnik, Brian
Kim, Lorinda
Kirton McConkie Law Firm
Klumpp, Cynthia
Kneaders
Lewis Young Robertson & Burningham, Inc.
Liljenquist, Dan & Brooke
Liljenquist, Paul & Margaret
Logo Concepts
Loveland Living Planet Aquarium
Lowell Leishman Family
MacKay, Karlia
Mandarin Restaurant
Maxfield, Marinda
Maxfield, Russ
McDonald’s
McGuire, Michelle
Moore, Jennifer
Mortensen, Alan & Robyn
Mountain America Credit Union
Megaplex
MOD Pizza
Moulton, Truxton
Newman, Roger & Annette
Nickles, Mary from KUTV
Noble House
Nord Family Foundation
Ogden’s George S. Eccles Dinosaur Park
Olsen Acupuncture
Parr Brown Gee & Loveless Law
Pitt Family Dental
Plott, Katie
Porter, Erin
Popcorn Cottage
Private Fairway powered by Trackman
Pro Image Sports
Reid, Holly
RHONE Athletics
Ridgeline Capital Group
RMB Service Inc.
Russon Mortuary & Crematory
Ruth’s Chris Steak House
Sharp, Allison
Smoot, Scott & Denise
Something Creative Here, LLC
SPAN Foundation
Stevenson, Paul
Stewart Title
Summit Global Investments
Steed, Bob
Tietjen, Rolland
TDJ Finishing
Terry, Steve & Kellie
Thanksgiving Point
TONYBURGERS
Tuacahn Center for the Arts
Tucano’s Grill
Utah Shakespeare Festival
Village Baker
Wingers
Woodward, Gary & Kristy
Workers Compensation Fund Insurance
Wright Family
Wright, Lee
