PLAYBILL

CENTERPOINT LEGACY THEATER

Presents

Book, Music and Lyrics by:
MEREDITH WILLSON

 

Story by:
MEREDITH WILLSON and FRANKLIN LACEY

 

MUSIC RECORDING PROVIDED BY
MT PIT L.L.C.
WWW.THEMTPIT.COM

 

THE MUSIC MAN
is presented through special arrangement with Music Theatre International (MTI).
All authorized performance materials are also supplied by MTI. www.MTIShows.com

 

PRODUCTION TEAM

Executive Producer: Krista Davies
Director: Danny Inkley
Technical Director: Derek Walden
Assistant Technical Director: Truxton Moulton
Choreographer: Addison Welch
Music Director: David Martin
Stage Manager: Jalaire Robinson
Assistant Stage Manager: Nickole Canfield
Costume Design Supervisor: Tammis Boam
Costume Shop Supervisor: Laurie Oswald
Costume Designer: Rachael Lindsay
Costume Stitchers: Janelle Roundy, Brenda Roundy, Rachel Lindsay, Corban Lindsay, Pamela Lindsay, Kennedy Miller, Tara Boss, Laurie Oswald, Jessica Turner, Laura Miles, Amelia Bowles
Lighting Designer: Colin Skip Wilson
Sound Designer: Derek Walden                                        Assistant Sound Designer: Camille Chandler
Scenic & Projection Design: Joshua Roberts
Scenic Charge Artist: Tammy Coleman
Prop Master: Silas Stott
Shop Foreman: Truxton Moulton
Scenic Construction: Silas Stott, Randall Farrell, Truxton Moulton
Lighting Technicians: Dallin Alvey, Nathan Hadley
Sound Technicians: Camille Chandler, Hillary Horne
Spotlight Technicians: Josie Adams, Victoria Tolley, Hannah Gibson-White, Collin Schmierer
Stage Crew:  Amie Howell, Chris Nelson, Aria Ferrin, Emily Auton, Carly McBride, Adam Hellewell, Taylor Sachs, Chantryce Diehl, Lydia Pearce

MUSIC RECORDING PROVIDED BY

MT PIT L.L.C.    ww.THEMTPIT.com

POLICIES & PROCEDURES

  • No cancellation or refunds.
  • Ticket exchanges must be made in person at the Box Office at least one business day prior to the performance. Exchanged tickets must be surrendered at that time. We cannot accommodate late changes. There will be a $5 exchange fee per ticket.
  • Season Ticket Holders are allowed one free exchange per show. Additional exchanges
    are $5 per ticket.
  • Reserved seating will be held until curtain after which alternate seating will be used.
  • Doors open 30 minutes before show time.
  • Late-comers cannot be guaranteed seating.
  • No children under the age of 3 years may attend any production.
  • Please do not bring outside food or drink into the theater.
  • Please turn off all pagers, cell phones, and other electronic devices.
  • The video and/or audio recording of this performance by any means whatsoever is strictly prohibited.
  • Box Office hours are Monday-Saturday 10:00AM – 6:00PM
  • Restrooms are located on both floors on the east and west sides of the building.
SEASON SPONSORS
CENTERPOINT TEAM

Board of Directors

Paul Cutler
Chair
Sterling Jenson
Vice Chair

 

James Ahlstrom
Shawn Beus
Jason Burningham
Kenneth Cutler
Michelle Falk
Gayla Gallacher

 

Cathleen Gilbert
Fred Hale
Kendalyn Harris
Lowell Leishman
Dan Liljenquist
John Redd
Clark Wilkinson
Lee Wright

Management Team

Jansen Davis, Executive Director
Krista Davies, Executive Producer
Brian Hahn, Leishman Hall Producer
Shelley L. Davies, Director of Development & Grant Coordinator
Amy R. Gapinski, Marketing Coordinator
Holly K. Reid, Public Relations & Social Media Specialist
Danny & Wendy Inkley, Directors CenterPoint Academy
Kristy Woodward, Chief Financial Officer
Keri Stewart, Staff Accountant
Diana Jensen, Box Office Manager
Laurie Hahn, House Manager, Volunteer Coordinator
Derek Walden, Technical Director
Truxton Moulton, Asst Technical Director/Shop Foreman
Tammis Boam, Costume Department Manager
Laurie Oswald, Costume Shop Supervisor
Cynthia Klumpp, Scenic Charge Arttist
Silas Stott, Property Manager

Box Office Staff: Lucille Leonard, Janice Spencer, Rachel Jensen, Pam Christy, Beverly Cutler, Jenine Spencer, Chris Brown, Annette Houston, Debbie Cabezas, Nancy Johnsen.

Concessions Staff: Adi Summerhays, Erin Stewart, Grace Boyce, Jared Lyman, Joshua Rogers, Katelyn Stewart, Maclayne Inkley, Preston Weaver, Ruby Anderson.

IT Staff: Mark Wagstaff

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STROBE LIGHTS AND FOG MAY BE USED DURING THIS PERFORMANCE

POLICIES & PROCEDURES

  • No cancellation or refunds.
  • Ticket exchanges must be made in person at the Box Office at least one business day prior to the performance. Exchanged tickets must be surrendered at that time. We cannot accommodate late changes. There will be a $5 exchange fee per ticket.
  • Season Ticket Holders are allowed one free exchange per show. Additional exchanges
    are $5 per ticket.
  • Reserved seating will be held until curtain after which alternate seating will be used.
  • Doors open 30 minutes before show time.
  • Late-comers cannot be guaranteed seating.
  • No children under the age of 3 years may attend any production.
  • Please do not bring outside food or drink into the theater.
  • Please turn off all pagers, cell phones, and other electronic devices.
  • The video and/or audio recording of this performance by any means whatsoever is strictly prohibited.
  • Box Office hours are Monday-Saturday 10:00AM – 6:00PM
  • Restrooms are located on both floors on the east and west sides of the building.
FROM THE DIRECTOR

Q: What are the eight best things invented by humankind in the 1970s?

A: TaB. the horseshoe mustache, Hamburger Helper, the all-you-can-eat salad bar, Un­deroos, the Chia Pet, Pong, and Disco music.

And this is the world Sister Act invites us into. 1977-1978, Philadelphia. The City of Brotherly Love, where they boo Santa Claus at sporting events and have an undying passion for Rocky Balboa. Having spent a couple of years doing church service in Philly and environs, I have such love for that town, but it’s rough, it’s greasy, and it can beat a soul down.

Sister Act is a story about changing and it reminds me of this quote by Douglas Coup­land:

“If you don’t change, what’s the point of anything happening to you?”

The whole point of life, really, isn’t that we can change; it’s that we have to change. And Sister Act, in this collision of 1978 Philly underbelly and the traditions and doctrines and formality of religion presents some profound themes underneath the sequins and disco and comedy.

So, I hope you have an incredible time watching these 50 remarkable souls tell a story that can teach you a lesson while also making you laugh and melting your face off with glorious music. We can change. We don’t have to fear people different from us. The world can get better, and the answer, at the end of it, is the same as we all already know – Spread the Love Around.

“It’s not that we can change, it’s that we have to change!”

Danny Inkley –  Director

SYNOPSIS

The year is 1979 and in the heart of Philadelphia the Mother Superior of the Little Sisters of Our Mother of Perpetual Faith is dismayed; funds are low and the future of the convent is uncertain.  Meanwhile, across town, Deloris Van Cartier is an up-and-coming lounge singer in her boyfriend’s nightclub. When she inadvertently becomes a witness to him and his thugs killing a man, she finds herself on the run, fearful for her life.

Deloris heads to the police station and runs into Desk Chief Eddy, whom she recognizes from her school days as “Sweaty Eddie.”  After hearing her story, Eddie decides he needs to hide Deloris in a place Curtis will never find her- a convent.

Deloris quickly realizes that life in a convent is not for her- no drinking, no smoking, and no miniskirts; not to mention the boring life of a nun.  Even though she likes the other nuns, she soon tires of this simple life and sneaks across the street to a local bar for a bit of unruly behavior.  What she doesn’t know is that some of the nuns follow her and soon Curtis’ thugs show up and a chase ensues, with Deloris and the nuns narrowly escaping danger.

The following morning, Deloris attends choir rehearsal and after hearing the abysmal choir, she convinces the Reverend Mother to let her be the choir director.  As she works with the choir she manages to make them sound amazing. Word soon spreads of their heavenly sound, causing attendance to spike and donations to pour in.

Unfortunately, this fame comes at a price as Curtis and his men spot Deloris in a local newspaper article.  They hatch a plan to get her back and make her pay. When the men come looking at the convent for Deloris, the Reverend Mother knows that she can no longer stay, regardless of how much the other nuns have come to care for her. 

Things come to a head in a final confrontation where the bonds of sisterhood are put to the test and prove triumphant. Deloris finds her voice as she helps the sisters find theirs. Sisterly love reigns supreme in this joyful, heartwarming look at how music and friendship can bridge any divide.

Scene / Song List

ACT I                   

Take Me To Heaven (Nightclub) – Deloris, Tina, Michelle

Fabulous, Baby! –  Deloris, Tina, Michelle

The Perfect Place – Nuns

Here Within These Walls – Mother Superior, Deloris, Nuns

It’s Good to Be a Nun – Nuns, Deloris

When I Find My Baby – Curtis, Joey, TJ, Pablo

I Could Be That Guy – Eddie, Ensemble

Here Within These Walls – Reprise – Mother Superior, Nuns

Raise Your Voice – Deloris, Nuns

Take Me To Heaven (Nun Choir) – Deloris Nuns

 

INTERMISSION

 

ACT II

Sunday Morning Fever – Deloris, Eddie, Monsignor, Mother Superior, Ensemble

Take Me To Heaven (Newscast) – Deloris, Nuns

Lady in the Long Black Dress – Joey, TJ, Pablo

I Haven’t Got A Prayer – Mother Superior

Bless Our Show – Deloris, Nuns

Benedicta-ta For Now – Nuns

The Life I Never Led – Mary Robert

Fabulous, Baby! – Reprise – Eddie, Deloris, Nuns, Ensemble

Sister Act – Deloris

When I Find My Baby – Reprise – Curtis

The Life I Never Led – Reprise – Mary Robert

Sister Act – Reprise – Deloris, Mother Superior, Nuns

Spread the Love Around – Full Company

Bows/Raise Your Voice (Full Company) – Full Company

CAST LIST
Character M/W/F T/Th/S
Deloris Raven Flowers McKenna Kay Jensen
Mother Superior Hazel Rowe Wanda Copier
Mary Robert Langley Hayman Emily Woods Sparks
Mary Patrick Angie Call Katie Frandsen
Mary Lazarus Brittany Bullen Jan Williams Smith
Monsignor Dan Call Randy Honaker
Curtis Dan Frederickson (MTHF) Ben Tutor (TWS)
Eddie Craig Williams Jake Heywood
TJ Christian Lackman Tyler Hanson
Joey Oran Marc de Baritault JR Moore
Pablo Jeremy Botelho Jake Oaklyn
Nun 1 Mary Ann West Sally Warnock
Nun 2 Kristen Alley Maegan Loftus
Nun 3 Megan Call Ashley Mordwinow
Nun 4 Susanna Barnes Mindi Hansen
Nun 5 Joan Brough Janessa Zech
Nun 6 Kimberly Teitter Mandy Copier
Nun 7 Grace Liljenquist Anna Peacock
Michelle/Nun 8 Camille Crawley Natalie Haddock
Tina/Nun 9 Keslie Ta'afua Brookelynn Alapa Dunshee
Mary Martin-of-Tours/Nun 10 Megan Smyth Chelsea Elizabeth Marsden
Nun 11 Melinda Cole Welch Melissa Trenery
Mary Theresa Chris Brown Meredith Carlson
Ernie/Man 1 Shane Lowe Silas Stott
Man 2 Derek Walden Jake Fund
CAST BIOGRAPHIES
STEPPING INTO DAD'S SHOES

In CenterPoint Legacy Theatre’s production of The Music Man, Russell Maxfield gets to honor his Father in a unique way: by figuratively and literally walking in his shoes. As a child, Russell had the opportunity to play Winthrop while his Dad played Harold Hill for Pages Lane Theatre production. Now, Russell takes on the role of Harold Hill while his Father joins the ensemble and he might even get to wear a pair of his Dad’s Harold Hill shoes on stage.

Russell grew up knowing and loving the music and story of The Music Man, but now sees how deep the storyline goes. He feels like there are many connections to our lives in Centerville and Davis County. He says, “The good guy really starts off as the bad guy. He ends up changing the town and the town changes him.” Russell began on the stage at age 6 at Pages Lane Theatre, with Ralph Rodgers being a big part of why he originally began acting. While playing the part of Winthrop, Russell tried to learn the trumpet but eventually steered toward vocal performances. As a young boy he remembers seeing The Music Man’s Director, Shelby Ferrin, play Joseph in Joseph and the Amazing Technicolor Dreamcoat and it inspired Russell to play the same role as an adult. Some of his favorite roles have been when he’s playing the good guy, like Joseph, or the bad guy, like Gaston in Disney’s Beauty and the Beast. With the role of Harold Hill, Russell feels like he gets to explore both those character types.

Russell is happy to be back at CenterPoint where he knows the people from the community where he grew up. He appreciates that CenterPoint is a community theater with high quality performances. He encourages people to come find something new in The Music Man. He notes, “The Music Man feels like the original Hamilton. There is so much fast, rhythmic speaking that almost feels like rapping. The more you get into the music and story it is even better than you will remember.” He hopes that audiences will enjoy this look into a time when a small community learns to welcome differences that add value to their lives.

HONORING MARCELLUS

Amanda Rogers is no stranger to the classic story of The Music Man. As Ethel Toffelmier in the M/W/F cast, Amanda is pleased to be a part of this musical for the third time. This time she dedicates her performance to her father whom she shared the stage with during her two previous productions and who passed away six years ago. Her father had been Marcellus in these shows and Amanda honors him in the role closest to Marcellus – Ethel Toffelmier.

 

Community theater has long been a past-time of Amanda’s. She began as a child in Riverton, Bluffdale, and Sandy community productions. Amanda grew up sharing the stage with her family in many productions. Last season she loved joining CenterPoint’s team in the production of My Fair Lady and remembers how fun the costumes were that helped the cast transform from high society to servants throughout the show. One of her favorite roles has been Princess Puffer in The Mystery of Edwin Drood. She loved playing a character outside of her comfort zone and the audience participation that changes the end of the show always kept the cast on their toes.

 

CenterPoint is honored to have Amanda and the rest of the The Music Man casts make this production an unforgettable tribute to the power of community. She tells about this production, “The Music Man is a simple show with so much heart. The music is upbeat and happy and perfect for wintertime.” When asked about what she likes about being onstage at CenterPoint, she responded, “the professionalism of the whole production team from the costumes, to sets, and lighting. Also, it feels like family.” As Amanda honors her father and her family through the portrayal of Ethel Toffelmier, we know that you will leave The Music Man with a skip in your step.

Thank you to our 2021 Season Show Sponsors!

First Community Bank

WCF Insurance

Cache Valley Bank

Scott and Karen Keller

Dewsnup, King, Olsen, Worel, Havas, Mortensen Attorneys At Law

PRODUCTION TEAM BIOS
Krista Davies
Executive Producer

Krista is grateful to once again work on another production with incredibly dedicated and talented people.

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Danny Inkley
Director

Height: 5’10”

Weight: Yes

Eye Color: Brown

Hair Color: Don’t be rude

Beard: 100% real; no chemicals, no preservatives

Last on Stage: Trunchbull in Matilda at HCT Sandy

Last Directed: Freaky Friday for CenterPoint Academy

Favorite Role: Archibald Craven

Favorite Roll: Butterflake

Day Job: Owner of RateNow and Jambooks

Other Day Job: Director of the Hoard at CenterPoint Academy!

Favorite Person: Wendy Inkley

2nd Favorite Person: Probably Celine Dion

David Martin
Music Director

David Martin is thrilled to be at CPT! He was first seen on stage at Rodger’s Memorial Theater in Singin’ In the Rain as the Studio Tenor and Ralph Rackstraw in HMS Pinafore. He has also participated in CPT’s summer camp program as a music instructor and has loved working with the wonderful kids in this community. He has performed on stages at Desert Star Playhouse, Hale Centre Theatre, Hale Centre Theatre Orem, Capitol Theatre, Gardner Village, The Parker Theatre, and with the Riverton Arts Council. When he is not performing or music directing, Dave spends his time as a stay-at-home dad with his 4 amazing children. He also runs BeatALS Benefit, an organization that uses concerts featuring music of the Beatles to raise money and awareness for Lou Gehrig’s Disease, also known as ALS. He expresses appreciation to Danny and Addison for going with him on this exciting trip back to the ’70s and for their support. He sends all the love and gratitude to his queen and wife, Sarah, for being my rock and helping me through the craziness of life. “I got a Fever, and the only prescription is Sunday Morning!”

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Addison Welch
Choreographer

Addison has a degree in Musical Theatre from Weber State University. He was a cast member at Disney World where he was a puppeteer and a performer in all of their shows and parades. He’s choreographed at many high schools and theatres ​throughout Utah and Idaho. Addison has been an instructor at CenterPoint Legacy Theatre’s Academy for 5 years.

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Jalaire Robinson
Stage Manager

Jalaire is very grateful to be working on this incredible show. She has loved working with the amazing production team, cast, and crew. She loves participating in the telling of good stories and this one is a gem to share. Believe in yourself and Spread the Love Around!

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Nickole Canfield
Assistant Stage Manager

Nickole is thrilled to be surrounded by the performing arts once again. It has been inspiring to see the hard work this talented cast has done to make Sister Act come to life. And boy is it fabulous! She enjoys every opportunity she has to learn new hobbies and travel the world.

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Derek Walden
Technical Director/ Sound Designer

Derek is happy to oversee all of the technical operations of both the Barlow Mainstage and the Leishman Performance Hall Productions. He’s an alumnus of the Weber State Theater Program.

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Colin Skip Wilson
Lighting Designer

Colin is excited to be joining the CPT family! He is getting his Bachelor of Fine Arts in Theatrical Design & Production at UVU. Lighting Design credits include Cinderella for Kaysville City, The Little Mermaid for Kaysville City, Urinetown at UVU, Flight: Dare to Dream as Asst. LD for Royal Caribbean Cruises, and La Sylphid as Asst. LD for Atlanta Ballet.

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Joshua Roberts
Scenic and Projection Designer

Joshua Roberts is a designer who graduated from USU with an MFA in Lighting, Projection, and Scenic Design. He has done design work for Utah-based companies like Tuacahn and Hale Centre Theatre. He has also designed internationally with Creativiva. He loves working in the theater world and being a part of the design process.

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Rachel Lindsay
Costume Designer

As a mother of 3 “sisters,” Rachel is used to promoting good “habits” and “saintly behavior.” However, she feels very “blessed” for any opportunity to show her creative side, & to help everyone look “fabulous baby.” Much love to The CPT family and this “Sister Act” – but especially to her three girls & hubby Corban – next to them “nun” can compare.

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Tammy Coleman
Scenic Charge Artist

Tammy is delighted to be painting for CPT’s Sister Act. She majored in art at USU and has taught art at elementary schools,  has painted sets for Jr. High and High schools, RMT, and Hopebox theaters. Tammy lives in Centerville and has 5 children, all of which have helped her paint over the years. Thanks to her husband Kim for all the love and support!

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Truxton Moulton
Assistant Technical Director/Shop Foreman

This is Truxton’s second season at CenterPoint Legacy Theatre and he is excited to join the team. He has worked in many different venues across Utah, from Old Lyric Repertory, Pioneer Theatre, and the LDS Conference Center. Most recently he was the ATD at Tuacahn. He is also the proud father of 5 awesome kids and the luckiest man to be married to his wife of 14 years, Megan.

Silas Stott
Property Manager

Silas loves being on stage and behind the scenes. He’s thrilled to be working with this insanely talented production team and cast.

AUTHORS BIOS
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Alan Menken
Author/Composer

Legendary composer Alan Menken has created some of the most beloved songs and musical scores of our time.

His unique voice, as a composer, a lyricist, and a musical theater dramatist has captured the imaginations of audiences for over 35 years.

Alan’s stage musicals include God Bless You Mr. Rosewater, Patch Patch Patch, Atina: Evil Queen of the Galaxy, Real Life Funnies, Little Shop of Horrors, The Dream on Royal Street, Kicks, The Apprenticeship of Duddy Kravitz, Beauty and the Beast, A Christmas Carol, Weird Romance, King David, The Hunchback of Notre Dame, The Little Mermaid, Sister Act, Leap of Faith, and Newsies. He has also contributed to such revues as Personals, Diamonds, and On the Record.

His film musicals include Little Shop of Horrors, The Little Mermaid, Beauty and the Beast, Newsies, Aladdin (1992 and the 2019 live-action remake), Pocahontas, The Hunchback of Notre Dame, Hercules, Home on the Range, Enchanted, and Tangled. His dramatic underscores for films include Life With Mikey, Noel, The Shaggy Dog, and Mirror Mirror. He has contributed songs to such films as Rocky V, Home Alone 2 – Lost in New York, Life With Mikey, and Captain America – The First Avenger.

Alan’s television credits include writing numerous songs for “Sesame Street“, composing the score for the ABC mini-series “Lincoln“, contributing songs for the musical Polly, the Hallmark adaptation of his musical of A Christmas Carol, and the songs for an episode of the ABC-TV series “The Neighbors“.

His songwriting collaborators have included Howard Ashman, Tim Rice, Stephen Schwartz, David Zippel, Jack Feldman, David Spencer, Lynn Ahrens, Dean Pitchford, Glenn Slater, Chad Beguelin, and most recently Benj Pasek and Justin Paul for the 2019 live-action film remake of Aladdin.

Alan won the 2012 Tony and Drama Desk Awards for his score to Newsies. He currently has more Academy Awards than any other living individual, including four for Best Score (The Little Mermaid, Beauty and the Beast, Aladdin and Pocahontas) and 4 for Best Song (“Under the Sea”, “Beauty and the Beast”, “A Whole New World” and “Colors of the Wind”). He has earned 11 Grammy Awards (including Song of the Year for “A Whole New World”), 7 Golden Globes, London’s Evening Standard Award, the Olivier Award, the Outer Critics Circle Award, and the Drama Desk Award.

Other notable achievements include induction into the Songwriters Hall of Fame and Billboard’s number-one single (“A Whole New World”) and number one album (Pocahontas). In 2001 he received the distinction of being named a Disney Legend. He has also been awarded two doctorates in Fine Arts from New York University and the North Carolina School of the Arts. In 2010 he received his own star on the Hollywood Walk of Fame.

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Glenn Slater
Author/Lyricist

Glenn Slater (Lyrics) co-created Disney’s 2010 worldwide smash Tangled (2011 Grammy Winner, 2010 Oscar and Golden Globe nominee), as well as the Broadway and international hit musicals Sister Act (2011 Tony nominee – Best Score) and The Little Mermaid (2008 Tony nominee – Best Score, Grammy nominee – Best Cast Album), and, most recently School of Rock (2015). With longtime collaborator Alan Menken, he is Executive Producer and Lyricist for the ABC-TV musical comedy series Galavant and has also written songs for the Disney animated film Home On The Range (2004) and the Broadway musical Leap of Faith (Tony nominee – Best Musical, 2012). In the West End, Glenn provided both book and lyrics for Andrew Lloyd Webber’s Love Never Dies (2010 Olivier nominee – Best Musical), the sequel to Phantom of the Opera. Other work includes an Emmy-nominated song for the ABC-TV comedy The Neighbors (2013), and the stage revue Newyorkers at The Manhattan Theatre Club (Lucille Lortel, Drama Desk, Outer Critics Circle nominations). Glenn is the recipient of the prestigious Kleban Award for Lyrics, the ASCAP/Richard Rogers New Horizons Award, and the Jonathan Larson Award. He is an alumnus of the BMI Musical Theatre Workshop and a member of both ASCAP and the Dramatists’ Guild.

Cheri Steinkellner
Author/Writer

Cheri Steinkellner has won four Emmy Awards, two Golden Globes, The People s Choice, BAFTA, Writers Guild Award, Parents Choice, and TV-Land Legend Awards, for writing and producing Cheers (recently named one of the Top 10 Best Written Comedies in TV history), and The Jeffersons, Facts of Life, Family Ties and Who’s The Boss, and for creating the acclaimed Disney animated Saturday morning TV series and feature film, Teacher s Pet. A 2011 Tony-nominee for Sister Act (with husband Bill Steinkellner, Alan Menken and Glenn Slater); Cheri has also written Princesses (with Bill, David Zippel and Matthew Wilder); and book and lyrics for Mosaic (with Georgia Stitt), and Jailbirds on Broadway (with Bill and Jeff Rizzo). Other stage includes Our Place, and Instaplay – L.A. s original – and longest-running – improvised musical-comedy. An Indy Award winner and Ovation nominee for Hello! My Baby, Cheri currently teaches writing at Stanford and UCSB and directs youth theatre in beautiful Santa Barbara, where she and Bill raised their three favorite children/writers/ artists: Kit, Teddy, and Emma.

Bill Steinkellner
Author/Writer

Award-winning television and screenwriter: “Cheers” and Disney’s “Teacher’s Pet” (Emmys, Golden Globes, BAFTAS, Writers Guild, and People’s Choice Awards). Book writer (with wife, Cherri): Sister Act the Musical (London Palladium, Hamburg, Broadway 2011), Princesses (Goodspeed, 5th Avenue). Writer/director (with Paul Reubens): the original Pee-wee Herman Show (Groundlings, Roxy Theatre, HBO). Creator/director: Instaplay, L.A.’s first all-improvised musical-comedy. Author: the L.A. Times bestseller Postcards From the Moon. 

FOUNDING DONORS
DeLonne Anderson
Family Foundation
 
Haven J. & Bonnie R. Barlow Foundation
 
Bill & Pat Child
 
Forever Young Foundation
 
Fred & Cheryl Hale
Sterling K. & Joleen D. Jenson
 
Timo & Judy Jones
Family Foundation
 
Lowell & Connie Leishman
 
Alan & Robyn Mortensen
 
Robert & Peggy Steed
ANNUAL DONORS

Intermountain Healthcare

DeLonne Anderson Family Foundation
Haven J. & Bonnie R. Barlow Foundation
Bill & Pat Child
Forever Young Foundation
Fred & Cheryl Hale
Sterling K. & Joleen D. Jenson
Timo & Judy Jones Family Foundation
Lowell & Connie Leishman
Alan & Robyn Mortensen
Robert & Peggy Steed

Centerville Redevelopment Agency
Coronavirus Aid, Relief, and Economic Security Act
State of Utah Legislature
Utah Department of Arts & Museums

Davis County Tourism & Events – Discover Davis

 

Anonymous

Haven J. & Bonnie R. Barlow Foundation

Bountiful City RAP

Centerville City RAP

The Church of Jesus Christ of Latter-Day Saints Foundation

Ken & Lois Cutler Family

George S. and Dolores Dore’ Eccles Foundation

Richard K. and Shirley S. Hemingway Foundation

Mountain America Credit Union

Samuel C. – Myra G. Powell Foundation

Sorenson Legacy Foundation

West Bountiful City

Anonymous
CASA Family Foundation
The Church of Jesus Christ of Latter-Day Saints Foundation
Robert Gibson Mataele & Isaiah Mataele
Sorenson Legacy Foundation
Bill & Connie Timmons Foundation
Clark & Jennifer Whitworth

Anonymous
Bill Child
Cast of A Christmas Carol 2020
Rocky Mountain Power Foundation
SPAN Foundation
Lee & Tricia Wright

Rhea & Richard Anderson

Anonymous

Karen Baty

Kristina & William Boler

Carr Family Fund

Clark & Gwen Christian

Daniel Fredrickson

Kathy Gotchy

Maralyn Johnson

Logo Concepts

Jennifer Meredith

Dee & Sharon Neuenschwander

RateNow, LLC

Blake & Cathleen Reid Family Fund

Sarah Sharp

Brent Sloan

Stephen & Jill Sundstrom

Robert & Carol Weddington

Scott & Tey West

In Honor of Clark & Thomas Bullen
Will & Carol Cluff
Bryan Flandro
Daniel Frederickson
Jennifer Johnson
Kimberly Klintworth
Roy & Catherine Rasband
Bill & Beth Sanders
Amilee Selfridge

Kathleen Bailey

Norman & Nina Beers

Kent & Annette Chambers

Tom Checketts

Mary Ann Ebbeler

Lee & Debbie Garner

Paula & Ford Huffaker

Legacy School of Dance

Lowell Leishman

Brian Noble

In loving memory of Eileen Hess Ostler

Milt & Becky Russon

Dell Stringham

Scott & Robyn Stringham

Scott & Carolyn Allen

Carol & Reuben Anderson

Anonymous

Linda & Stephen Black

Hall Blankenship

Jamie & Mark Burnett

Tyler Buswell

Marie Caldwell

Holly Carbine

Hayes & Terrie Carr

Robert & Kathy Carter

Elizabeth Child-Hill

In Memory of Ann Dearden Clark

Jacob Cook

Charles Dahlquist

Jansen & Tara Davis

Raquel Davis

Paul Dixon

Jennifer & Alexander Dushku

Charles Eckery

Scott Erickson

Jay & Millicent Francis

Daniel Frederickson

Marino & Jean Ganz

Paul & Linda Gapinski

Calvin & Diane Gibbs

David & Kristine Gill

Luann Gillette

Winona Graves

Susan Greenland

Monica Harrison

Paul & Lorna Hartvigsen

Read Hellewell

Melissa Hickenlooper

Randy & Julie Holmgren

Amy Howell

Donna S. Hyde Family Trust

Danny Inkley

Robert Jeppsen

Brent & Leila Johnson

Nolan Johnson

Adam Kaas

Joleen Kearsley

Roger & Clara Kehl

Pennie Kirby

Scott & Stana Kjar

Peter & Carolyn Kowalchik

Nadene Larsen

Dan Liljenquist

Christopher Loertscher

Janet Louie

Valayne Love

Ralph & Sylvia Mabey

Andy Marshall

Marinda Maxfield

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CenterPoint Legacy Theatre 2021

CenterPoint Legacy Theatre announces auditions for ‘The Music Man’ on Saturday, January 4th.

Auditions will take place by appointment from 9:00 AM-12:00 Noon. The show runs March 13th through April 11th. Shelby Ferrin will direct, Aaron Ford will choreograph and Tara Wardle will music direct.


Bring any conflicts from January 6th through April 11th along with a headshot and resume to auditions. Callbacks are scheduled for Tuesday, January 7th and Wednesday, January 8th. Rehearsals will start Monday, January 13th.


Auditions are open to all performers 8 years and older. Children are encouraged to audition with a parent or guardian. All roles are open. Come prepared to sing 30 seconds or less of a song in the style of the show. Live accompaniment will be provided. No pre-recorded music please.

Auditions will take place at the theatre located at 525 North, 400 West in Centerville. Enter in the building on the west side basement entrance. Please email the theatre at kdavies@cptutah.org to schedule an audition time.

Character Breakdown

CHARACTER BREAKDOWN 

Note: ages listed are approximate and represent how the characters read onstage, not necessarily the ages of the performers. Please note, where applicable, any requirements for on-stage intimacy or physicality. 

MALE ROLES: HAROLD HILL: Smooth-talking con man and traveling salesman who beguiles the town before falling in love with Marian; overflowing with charm and charisma; kisses Marian; physically struggles with Charlie Cowell. RANGE: Ab2-F4, AGE: 30-45 

MARCELLUS WASHBURN: Former con man and friend to Harold, now trying to settle down in River City; immensely likeable with comic timing; kisses Ethel; physically struggles with Charlie Cowell; leads an energetic dance. RANGE: A4-G2, AGE: 25-40 

MAYOR GEORGE SHINN: The Mayor of River City, protective of his town and family; self-important, blustery, pompous, but not too bright. RANGE: Any, AGE: 40-60 

WINTHROP PAROO: Marian’s adorable little brother who speaks with a lisp; precocious but moody. RANGE: C4-Eb5, AGE: 9-12 

CHARLIE COWELL: Rival traveling salesman out to expose Harold Hill; determined and moralistic; kisses Marian; physically struggles with Marcellus and Harold; may also play a townsperson in some scenes. RANGE: Any, AGE: 25-45

TOMMY DJILAS: Trouble-making teenager who becomes an assistant leader of the boys’ band; rebellious but smart and handsome. RANGE: Any, AGE: 16-20 

JACEY SQUIRES: Owner of livery stable and school board member who bickers with his peers before joining them in the barbershop quartet as the high tenor; married to Mrs. Squires. RANGE: C3-C5, AGE: 25-55 

EWART DUNLOP: Owner of the general store and school board member who bickers with his peers before joining them in the barbershop quartet as the second tenor; married to Maud. RANGE: F3-F5, AGE: 25-55 

OLIVER HIX: Banker and school board member who bickers with his peers before joining them in the barbershop quartet as the baritone; married to Alma. RANGE: B2-F4, AGE: 25-55 

OLIN BRITT: Newspaper editor and school board member who bickers with his peers before joining them in the barbershop quartet as the bass. RANGE: F2-C4, AGE: 25-55 

OTHER ROLES FOR MEN: Constable Locke, the town sheriff; Train conductor; Traveling salesmen; River City townspersons of all ages, shapes, and sizes some of them in “families”; River City boys/teens who sing, dance and join the boys’ band

FEMALE ROLES: MARIAN PAROO: Town librarian and piano teacher, sister of Winthrop and daughter of Mrs. Paroo; well-read, independent, head-strong, beautiful but elusive, hopelessly romantic but intensely guarded; kisses Harold and Charlie Cowell; RANGE: G3-A5, AGE: 25-35 

MRS. PAROO: Widowed mother to Marian and Winthrop; sweet, cheerful, always busy, and slightly intrusive in her daughter’s love life; speaks with an Irish accent. RANGE: Ab3-Eb5, AGE: 45-55 

EULALIE MACKECKNIE SHINN: Mayor Shinn’s peacock wife, a know-it-all busybody who knows everyone and everything in town; self-important, grandiose, gossipy, snobbish, and easily flattered; must have great comedic range without being over-the-top. RANGE: D4-D5, AGE: 40-50

AMARYLLIS: Marian’s piano student who likes Winthrop but teases him; sweet but a little bratty; must pretend to play the piano. RANGE: C4-E5, AGE: 9-12 

ZANEETA SHINN: Mayor Shinn’s teenage daughter with a crush on Tommy Djilas; cute, feminine, a little daffy; dances energetically. RANGE: Any, AGE: 16-20 

GRACIE SHINN: Mayor’s younger daughter. RANGE: Any, AGE: 9-12 ETHEL TOFFELMIER: Player piano player and town gossip who is dating Marcellus; jolly and friendly, but gossipy; kisses Marcellus. RANGE: Any, AGE: 25-35 

ALMA HIX: Wife of Oliver Hix and a town gossip. RANGE: G4-G5, AGE: 25-45 MAUD DUNLOP: Wife of Ewart Dunlop and a town gossip. RANGE: G4-G5, AGE: 25-55 MRS. SQUIRES: Wife of Jacey Squires and a town gossip. RANGE: G4-G5, AGE: 25-55 

OTHER ROLES FOR WOMEN/GIRLS: River City townspersons of all ages, shapes, and sizes, some of them in “families”; River City girls/teens who sing and dance.

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Ticket Policies

  • In consideration of our patrons, no children under 3 are permitted in the theatre. Some productions may not be appropriate for all 3 year-olds. Parents should be the guide for young patrons. No babes in arms will be permitted.
  • No cancellations or refunds.
  • Ticket exchanges must be made in person at the Box Office at least one business day prior to the performance. Exchanged tickets must be surrendered at that time. We cannot accommodate late exchanges. There is a $5 exchange fee per ticket. Season Ticket Holders are allowed one free exchange per show. Additional exchanges are $5 per ticket.
  • Reserved seating will be held until curtain, after which alternate seating will be used. Doors open 30 minutes before show time. Patrons arriving after the start of the performance will be seated at the discretion of management. Late-comers cannot be guaranteed seating.
  • The use of cameras, recording devices, phones, radios and pagers is strictly prohibited.
  • Please do not bring outside food or drink into the theatre.

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