Book, Music and Lyrics by:
MEREDITH WILLSON
Story by:
MEREDITH WILLSON and FRANKLIN LACEY
MUSIC RECORDING PROVIDED BY
MT PIT L.L.C.
WWW.THEMTPIT.COM
THE MUSIC MAN
is presented through special arrangement with Music Theatre International (MTI).
All authorized performance materials are also supplied by MTI. www.MTIShows.com
Executive Producer: Krista Davies
Assistant Production Manager: Carynn Butler
Director: Jennifer J. Westfall
Stunt Choreographer: Justin Lee
Technical Director: Derek Walden
Assistant Technical Director: Truxton Moulton
Stage Manager: Todd Perkins
Assistant Stage Manager: Marinda Maxfield
Costume Designer: Jennifer J. Westfall
Lighting Designer: Jordan Fowler
Sound Designer: Jordan Fowler
Scenic Charge Artist: Cynthia Klumpp
Scenic Painter: Janae Gibb
Costume Supervisor: Tammis Boam
Costume Stitcher: Laurie Oswald
Shop Foreman: Truxton Moulton
Scenic Construction: Silas Stott, Randall Farrell, Truxton Moulton
Lighting Technicians: Camille Chandler, Hillary Horne
Sound Technicians: Camille Chandler, Hillary Horne
Stage Crew: Chris Nelson, Leah Merrill, Carter Maxfield, Brynn Thurston
MUSIC RECORDING PROVIDED BY
MT PIT L.L.C.
ww.THEMTPIT.com
Paul Cutler
Chair
Sterling Jenson
Vice Chair
James Ahlstrom
Shawn Beus
Jason Burningham
Kenneth Cutler
Michelle Falk
Gayla Gallacher
Cathleen Gilbert
Fred Hale
Kendalyn Harris
Lowell Leishman
Dan Liljenquist
John Redd
Clark Wilkinson
Lee Wright
Jansen Davis, Executive Director
Krista Davies, Executive Producer Carynn Butler, Production Manager
Brian Hahn, Leishman Hall Producer
Shelley L. Davies, Director of Development & Grant Coordinator
Amy R. Gapinski, Marketing Coordinator
Holly K. Reid, Public Relations & Social Media Specialist
Danny & Wendy Inkley, Directors CenterPoint Academy
Kristy Woodward, Chief Financial Officer
Keri Stewart, Staff Accountant
Diana Jensen, Box Office Manager
Laurie Hahn, House Manager, Volunteer Coordinator
Derek Walden, Technical Director
Truxton Moulton, Asst Technical Director/Shop Foreman
Tammis Boam, Costume Department Manager
Laurie Oswald, Costume Shop Supervisor
Cynthia Klumpp, Scenic Charge Artist
Silas Stott, Property Manager
Box Office Staff: Janice Spencer, Rachel Jensen, Pam Christy, Beverly Cutler, Jenine Spencer, Chris Brown, Annette Houston, Debbie Cabezas, Nancy Johnsen.
Concessions Staff: Adri Summerhays, Erin Stewart, Grace Boyce, Jared Lyman, Joshua Rogers, Katelyn Stewart, Maclayne Inkley, Ruby Anderson, Katri Redd, Drew Eversole, Lyla Miller.
IT Staff: Mark Wagstaff
John Steinbeck said this about laughter…From the Grapes of Wrath.
I feel this more deeply as my journey expands into something that, at its best, was unexpected, and at its worst feels like a betrayal.
These last years have torn down our safe walls leaving so many searching for those happy days that brought us that contented sleep of youth. Let us rouse the gods of comedy. Wake the sleeping Titans with laughter. Let us shout and clap and find the belly laugh that came so easily to us as children. This performance tonight should lift your soul and leave you full of that amazing joy that has seemingly been out of your reach.
Laugh, clap, repeat, and leave these rafters ringing for the Actors and Actresses giving you this most wonderful gift called Comedy.
Love to you Joseph…you always have been able to make me laugh. You are my earth heart.
Jennifer J. Westfall
Director
Take your seats at CenterPoint Theatre for The Play That Goes Wrong and be transported into the charming theater of The Cornley Polytechnic Drama Society. It’s the opening night of their new production – the 1920’s murder mystery ‘Murder at Haversham Manor‘. As the show’s title might suggest, the opening night does not go as smoothly as hoped. The dauntless troupe struggles bravely to reach the final curtain of their murder mystery play while coping with missed lines, lost props, and poorly built scenery.
ACT ONE
Overture
Prologue: Christmas Eve, Several Years Ago, A Street Corner Outside Radio Station WOR, New York City & The Radio Studio Desk
Scene 1: December 1, 1940, The Parker Family House & Higbee’s Department Store
It All Comes Down to Christmas – Ralphie, the Parkers, and Ensemble
Higbee’s Window – Ralphie
Red Ryder Carbine Action BB Gun – Ralphie and Jean
It all comes down to Christmas (reprise) – Ralphie and Company
Scene 2: The Next Day, The Parker Family House & Yard
The Genius on Cleveland Street – The Old Man, Mother
An Opening – Ensemble
Scene 3: Soon Afterward, A Path From School
When You’re a Wimp – Kids
Scene 4: A Few Minutes Later, The Classroom
Ralphie to the Rescue! – Ralphie, Miss Shields, The Old Man, Mother, Randy, and Ensemble
After Ralphie to the Rescue! – Ralphie
Scene 5: A Week Later, The Parker House
What a Mother Does – Mother
A Major Award – Old Man, Mother, Ensemble
Scene 6: Early Evening December 13th, The Parker House
Scene 7: Immediately Following, On the Road
Parker Family Singalong – The Parkers
Scene 8: Late That Night, The Parker House
Act One Finale – Ralphie, Old Man, Mother, and Ensemble
INTERMISSION
ACT TWO
Entr’Acte
Scene 1: The Schoolyard & Classroom
Sticky Situation – Ralphie, Flick, Schwartz, Kids, Miss Shields
Scene 2: Fantasy 1930’s Speakeasy
You’ll Shoot Your Eye Out! – Miss Shields and Kids
Scene 3: Immediately Following, A Path From School
Scene 4: A Few Minutes Later, The Parker House
Just Like That – Mother
Red Ryder Carbine Action BB Gun – Ralphie
Scene 5: Christmas Eve, Santa’s Station at Higbee’s
At Higbee’s – Elves, Ensemble
Up on Santa’s Lap – Santa, Elves, Ralphie, Randy, Kids, and Ensemble
Scene 6: Christmas Eve, The Parker House
Before The Old Man Comes Home – Ralphie and Randy
Scene 7: A Half-Hour or So Later, The Boy’s Bedroom
Somewhere Hovering Over Indiana – Ralphie, Randy, and Kids
Scene 8: Christmas Morning, The Parker House & A Chinese Restaurant / The Town
Christmas Morning – Ralphie
Ralphie to the Rescue (reprise) – Ralphie and Ensemble
A Christmas Story – The Parkers and Full Company
Character | M/W/F | T/Th/S |
---|---|---|
Annie | Kristina Boler | Jenni Cooper |
Trevor | Jacob Sommer | Silas Stott |
Inspector Carter | Michael Gardner | Ryan Bruckman |
Charles Haversham | Blake London | James Boley |
Thomas Colleymoore | Jared Morgan | Dylan Padilla |
Perkins | Michell Gibb | Zar Hayes |
Cecil Haversham, Arthur | Meish Roundy | Tyler Clawson |
Florence Colleymoore | Amanda Morgan | Niki Waite Padilla |
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We are thrilled about our upcoming 2022 Season at CenterPoint Legacy Theatre. Whether you are a long-time part of our CPT family or a new season ticket holder, the lineup for 2022 is packed with shows that will keep you coming back again and again.
They say laughter is the best medicine, so get ready for a much-needed dose delivered up in The Play That Goes Wrong. Set in the 1920s, the actors of The Cornley Polytechnic Drama Society do their level best to uphold the time-honored adage that “the show must go on” as they present to you the opening night of “Murder at Haversham Manor”. Quickly things go from bad to disastrous, and with an unconscious leading lady, a corpse who can’t seem to play dead, and actors who not only trip over their lines, but everything else on stage, you have the recipe for a riotous dose of healing laughter!
It’s IMPOSSIBLE not to love the Broadway revival of Rodgers and Hammerstein’s Cinderella. This beautifully staged show is filled with romance, hope, unforgettable melodies, and of course, magic. It’s the perfect show for the whole family!
Big Fish is a heartfelt, powerful, and truly magical musical about fathers and sons, and the stories we use to define and shape our lives. The music is as beautiful and powerful as the story, and you just may walk away with some new favorites.
Go Go Go Joe! One of the most enduring musicals of all time, Joseph and the Amazing Technicolor Dreamcoat is a reimagining of the Biblical story of Joseph, his father Jacob, eleven brothers, and the envy of their favored brother with his coat of many colors. Written by Tim Rice and Andrew Lloyd Webber, this show is a musically eclectic journey masterfully told using different genres of memorable tunes you’ll be singing long after. Joseph is a great show for the entire family.
Bright Star is a beautifully written musical about a young woman growing up in the Blue Ridge Mountains of North Carolina. We see her first as a young carefree woman and then watch how her life changes as she becomes a well-to-do magazine editor 22 years later. Her story is inevitably woven with that of an idealistic young man named Billy, with whom she shares a mysterious connection. The bluegrass score, (written by actor Steve Martin and Edie Brickell) provides a rich musical palette with which this story is painted.
The best way to spread Christmas cheer is to see Elf, The Musical. This wildly popular musical is packed with all the magical ingredients needed for the perfect start to your Christmas season. Come along with Buddy the Elf on his adventure to find his dad and ultimately save Christmas!
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In CenterPoint Legacy Theatre’s production of The Music Man, Russell Maxfield gets to honor his Father in a unique way: by figuratively and literally walking in his shoes. As a child, Russell had the opportunity to play Winthrop while his Dad played Harold Hill for Pages Lane Theatre production. Now, Russell takes on the role of Harold Hill while his Father joins the ensemble and he might even get to wear a pair of his Dad’s Harold Hill shoes on stage.
Russell grew up knowing and loving the music and story of The Music Man, but now sees how deep the storyline goes. He feels like there are many connections to our lives in Centerville and Davis County. He says, “The good guy really starts off as the bad guy. He ends up changing the town and the town changes him.” Russell began on the stage at age 6 at Pages Lane Theatre, with Ralph Rodgers being a big part of why he originally began acting. While playing the part of Winthrop, Russell tried to learn the trumpet but eventually steered toward vocal performances. As a young boy he remembers seeing The Music Man’s Director, Shelby Ferrin, play Joseph in Joseph and the Amazing Technicolor Dreamcoat and it inspired Russell to play the same role as an adult. Some of his favorite roles have been when he’s playing the good guy, like Joseph, or the bad guy, like Gaston in Disney’s Beauty and the Beast. With the role of Harold Hill, Russell feels like he gets to explore both those character types.
Russell is happy to be back at CenterPoint where he knows the people from the community where he grew up. He appreciates that CenterPoint is a community theater with high quality performances. He encourages people to come find something new in The Music Man. He notes, “The Music Man feels like the original Hamilton. There is so much fast, rhythmic speaking that almost feels like rapping. The more you get into the music and story it is even better than you will remember.” He hopes that audiences will enjoy this look into a time when a small community learns to welcome differences that add value to their lives.
Amanda Rogers is no stranger to the classic story of The Music Man. As Ethel Toffelmier in the M/W/F cast, Amanda is pleased to be a part of this musical for the third time. This time she dedicates her performance to her father whom she shared the stage with during her two previous productions and who passed away six years ago. Her father had been Marcellus in these shows and Amanda honors him in the role closest to Marcellus – Ethel Toffelmier.
Community theater has long been a past-time of Amanda’s. She began as a child in Riverton, Bluffdale, and Sandy community productions. Amanda grew up sharing the stage with her family in many productions. Last season she loved joining CenterPoint’s team in the production of My Fair Lady and remembers how fun the costumes were that helped the cast transform from high society to servants throughout the show. One of her favorite roles has been Princess Puffer in The Mystery of Edwin Drood. She loved playing a character outside of her comfort zone and the audience participation that changes the end of the show always kept the cast on their toes.
CenterPoint is honored to have Amanda and the rest of the The Music Man casts make this production an unforgettable tribute to the power of community. She tells about this production, “The Music Man is a simple show with so much heart. The music is upbeat and happy and perfect for wintertime.” When asked about what she likes about being onstage at CenterPoint, she responded, “the professionalism of the whole production team from the costumes, to sets, and lighting. Also, it feels like family.” As Amanda honors her father and her family through the portrayal of Ethel Toffelmier, we know that you will leave The Music Man with a skip in your step.
Krista is thankful for the opportunity to work with this production team, cast, and crew. She appreciates the support of this community and the value it places on the arts and how it impacts our lives.
After seeing her first live play at the age of 12, Jennifer resolved to become an actress on the stage. That decision has sent her all over the west acting in many different theaters in over 70 musicals and plays over the last 30 years. This will be the 10th show she has directed for this company.
Carynn loves her husband and her puppies. She likes most books and some movies. Her favorite food is delicious. When she’s not here at the theater, she is usually somewhere else.
While studying political science at the UofU, Justin also found time to study acting and stage combat. That schedule continues today as he works in politics during the day and performs on stage or choreographs fights at night. He has previously coordinated violence at CPT for Aida, West Side Story, Wait Until Dark, and A Streetcar Named Desire.
Derek is happy to oversee all of the technical operations of both the Barlow Mainstage and the Leishman Performance Hall Productions. He’s an alumnus of the Weber State Theater Program.
Todd feels honored to have worked for many years with talented artists to help create shows here at CPT. Recent favorites include The Scarlet Pimpernel, The 25th Annual Putnam County Spelling Bee, Ragtime, To Kill A Mockingbird, and You’re A Good Man Charlie Brown.
Marinda loves stage managing and has loved being involved in this incredible production. Thanks so much for coming.
CenterPoint has been Jordan’s second home since it first opened when he was 15yrs old. The list of shows he has been involved in here is long but a few of his favorites are 25th Annual Putnam County Spelling Bee, Lend Me A Tenor, and Wait Until Dark. He is grateful (especially this year) to have the opportunity to spend the holiday season doing what he loves. “Special thanks to my wife, Jessica Fowler, for your endless love and support. I love you!”
The Play That Goes Wrong marks Cynthia’s 57th show at CenterPoint. She has loved making every show come to life on the CPT stage. She also served as the Scenic Charge Artist at the Tuacahn Amphitheater for 8 years. You may have seen some of her Tuacahn favorites, Prince of Egypt, Beauty and the Beast, Count of Monte Cristo, and School of Rock.
This is Truxton’s third season at CenterPoint Legacy Theatre and he is excited to join the team. He has worked in many different venues across Utah, from Old Lyric Repertory, Pioneer Theatre, and the LDS Conference Center. Most recently he was the ATD at Tuacahn. He is also the proud father of 5 awesome kids and the luckiest man to be married to his wife of 14 years, Megan.
Shelly is thrilled to be a part of the CPT family with A Christmas Story. She has done many things as a performer. Some of her favorites being The Wizard of Oz, Singin’ in the Rain and being a featured soloist in the 2017 & 2019 Temple Square Concert Series. She is excited to be experiencing things from the perspective of the production team again.
Tammis Robbins Boam has worked for numerous productions locally and nationally, but CenterPoint Legacy Theatre is truly her home. She thanks her family for their support in designing their favorite Christmas classic. It has been a joy to share this experience with her youngest, Edward, who plays Schwartz. Enjoy the show, I triple dog dare you!
Silas loves being on stage and behind the scenes. He’s thrilled to be working with this insanely talented production team and cast.
Jay is excited to be invited back to help with production at CenterPoint. Jay has worked in theater since he was a teenager and still enjoys it today. He loves how each theater performance is a unique experience only shared by those involved.
The Scarlet Pimpernel marks Cynthia’s 44th show at CenterPoint. She has loved making every show come to life on the CPT stage. She also serves as the Scenic Charge Artist at Tuacahn Amphitheater. You may have seen her work at this past year’s Prince of Egypt, Cinderella and Matilda.
She is grateful to her family for their undying support and love.
Shelly is thrilled to be joining the CPT family with The Scarlet Pimpernel. She has done many things as a performer. Some of her favorites being, The Wizard of OZ, Singing in the Rain and being a featured soloist in the 2017 & 2019 Temple Square Concert Series. She is excited to be experiencing things from the perspective of the production team for the first time.
As a mom, Trish is well-versed with finding things for people, locating what’s lost, keeping things in proper places & creating a space to let the imagination free. Whether the places are a magical island, a lonely bell tower in Notre Dame, the boroughs of New York, or 1792 France, working at CPT keeps those skills sharp. She loves working alongside her daughter to bring another rich story to life.
Taylor wants to give you “props” …literally. Whether pirates, newsies, “lost boys” or bounders. She’s a master of ensuring CPT actors have their hands full, tables covered, & their swords ready for a fight. She’s thrilled to be part of another fantastic show, & encourages you to take a moment, & give yourself “props” every now & then.
This is Truxton’s second season at CenterPoint Legacy Theatre and he is excited to join the team. He has worked in many different venues across Utah, from Old Lyric Repertory, Pioneer Theatre, and the LDS Conference Center. Most recently he was the ATD at Tuacahn. He is also the proud father of 5 awesome kids and the luckiest man to be married to his wife of 14 years, Megan.
Michael has over 50 lighting designs to his credit, including The Little Mermaid and Aida for CenterPoint Legacy Theatre, Tarzan and Phantom of the Opera for Hale Centre Theatre in Sandy, Ain’t Misbehavin’ for the West Valley Arts, and Next to Normal at Utah Valley University, for which he received the Outstanding Lighting Design award as part of the Kennedy Center Annual College Theatre Festival.
Legendary composer Alan Menken has created some of the most beloved songs and musical scores of our time.
His unique voice, as a composer, a lyricist, and a musical theater dramatist has captured the imaginations of audiences for over 35 years.
Alan’s stage musicals include God Bless You Mr. Rosewater, Patch Patch Patch, Atina: Evil Queen of the Galaxy, Real Life Funnies, Little Shop of Horrors, The Dream on Royal Street, Kicks, The Apprenticeship of Duddy Kravitz, Beauty and the Beast, A Christmas Carol, Weird Romance, King David, The Hunchback of Notre Dame, The Little Mermaid, Sister Act, Leap of Faith, and Newsies. He has also contributed to such revues as Personals, Diamonds, and On the Record.
His film musicals include Little Shop of Horrors, The Little Mermaid, Beauty and the Beast, Newsies, Aladdin (1992 and the 2019 live-action remake), Pocahontas, The Hunchback of Notre Dame, Hercules, Home on the Range, Enchanted, and Tangled. His dramatic underscores for films include Life With Mikey, Noel, The Shaggy Dog, and Mirror Mirror. He has contributed songs to such films as Rocky V, Home Alone 2 – Lost in New York, Life With Mikey, and Captain America – The First Avenger.
Alan’s television credits include writing numerous songs for “Sesame Street“, composing the score for the ABC mini-series “Lincoln“, contributing songs for the musical Polly, the Hallmark adaptation of his musical of A Christmas Carol, and the songs for an episode of the ABC-TV series “The Neighbors“.
His songwriting collaborators have included Howard Ashman, Tim Rice, Stephen Schwartz, David Zippel, Jack Feldman, David Spencer, Lynn Ahrens, Dean Pitchford, Glenn Slater, Chad Beguelin, and most recently Benj Pasek and Justin Paul for the 2019 live-action film remake of Aladdin.
Alan won the 2012 Tony and Drama Desk Awards for his score to Newsies. He currently has more Academy Awards than any other living individual, including four for Best Score (The Little Mermaid, Beauty and the Beast, Aladdin and Pocahontas) and 4 for Best Song (“Under the Sea”, “Beauty and the Beast”, “A Whole New World” and “Colors of the Wind”). He has earned 11 Grammy Awards (including Song of the Year for “A Whole New World”), 7 Golden Globes, London’s Evening Standard Award, the Olivier Award, the Outer Critics Circle Award, and the Drama Desk Award.
Other notable achievements include induction into the Songwriters Hall of Fame and Billboard’s number-one single (“A Whole New World”) and number one album (Pocahontas). In 2001 he received the distinction of being named a Disney Legend. He has also been awarded two doctorates in Fine Arts from New York University and the North Carolina School of the Arts. In 2010 he received his own star on the Hollywood Walk of Fame.
Glenn Slater (Lyrics) co-created Disney’s 2010 worldwide smash Tangled (2011 Grammy Winner, 2010 Oscar and Golden Globe nominee), as well as the Broadway and international hit musicals Sister Act (2011 Tony nominee – Best Score) and The Little Mermaid (2008 Tony nominee – Best Score, Grammy nominee – Best Cast Album), and, most recently School of Rock (2015). With longtime collaborator Alan Menken, he is Executive Producer and Lyricist for the ABC-TV musical comedy series Galavant and has also written songs for the Disney animated film Home On The Range (2004) and the Broadway musical Leap of Faith (Tony nominee – Best Musical, 2012). In the West End, Glenn provided both book and lyrics for Andrew Lloyd Webber’s Love Never Dies (2010 Olivier nominee – Best Musical), the sequel to Phantom of the Opera. Other work includes an Emmy-nominated song for the ABC-TV comedy The Neighbors (2013), and the stage revue Newyorkers at The Manhattan Theatre Club (Lucille Lortel, Drama Desk, Outer Critics Circle nominations). Glenn is the recipient of the prestigious Kleban Award for Lyrics, the ASCAP/Richard Rogers New Horizons Award, and the Jonathan Larson Award. He is an alumnus of the BMI Musical Theatre Workshop and a member of both ASCAP and the Dramatists’ Guild.
Cheri Steinkellner has won four Emmy Awards, two Golden Globes, The People s Choice, BAFTA, Writers Guild Award, Parents Choice, and TV-Land Legend Awards, for writing and producing Cheers (recently named one of the Top 10 Best Written Comedies in TV history), and The Jeffersons, Facts of Life, Family Ties and Who’s The Boss, and for creating the acclaimed Disney animated Saturday morning TV series and feature film, Teacher s Pet. A 2011 Tony-nominee for Sister Act (with husband Bill Steinkellner, Alan Menken and Glenn Slater); Cheri has also written Princesses (with Bill, David Zippel and Matthew Wilder); and book and lyrics for Mosaic (with Georgia Stitt), and Jailbirds on Broadway (with Bill and Jeff Rizzo). Other stage includes Our Place, and Instaplay – L.A. s original – and longest-running – improvised musical-comedy. An Indy Award winner and Ovation nominee for Hello! My Baby, Cheri currently teaches writing at Stanford and UCSB and directs youth theatre in beautiful Santa Barbara, where she and Bill raised their three favorite children/writers/ artists: Kit, Teddy, and Emma.
Award-winning television and screenwriter: “Cheers” and Disney’s “Teacher’s Pet” (Emmys, Golden Globes, BAFTAS, Writers Guild, and People’s Choice Awards). Book writer (with wife, Cherri): Sister Act the Musical (London Palladium, Hamburg, Broadway 2011), Princesses (Goodspeed, 5th Avenue). Writer/director (with Paul Reubens): the original Pee-wee Herman Show (Groundlings, Roxy Theatre, HBO). Creator/director: Instaplay, L.A.’s first all-improvised musical-comedy. Author: the L.A. Times bestseller Postcards From the Moon.
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A special “THANK YOU” to donors of their 2020 Season & Single Ticket Purchases to sustain CPT through the pandemic:
Louise Ahern
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Scroll
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In Loving Memory of Jenessa Bowen
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Charles Timothy Critchlow & Family
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Lloyd T. Ferrin
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Gazinga.com
Andrea Golding
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Hansen, Bradshaw, Malmrose, Erickson P.C.
Cliff & Melba Hansen Family
Tom & Ann Hardy
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David P. Hirschi
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Jason & Amy Hoagland
William Hoagland
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Alan & Robyn Mortensen
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Fred & Deon Moss
Rachelle Thorley Murray
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NAI Global, Princeton, NJ
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ALPHAGRAPHICS, Bountiful, Utah
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2011 Cast of HAIRSPRAY (The Premiere Show)
CenterPoint Legacy Theatre Cast of SLEEPY HOLLOW
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William & Norma Chatterton
Carol Ann Christensen
Dennis & Marie Christensen
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Tyler Clawson
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Heinz & Pat Drawe
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Mark & Tannie Flammer Family
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Duane & Aleen Gardner
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Brett & Jenny Garlick
Sheila Garlick
Bob & Norma Gephart Family
Paul & Luann Gillette
Don J. & LaRee Gines
Deon Gines Family
Joe & Winona Graves & Jenny
Steve & Kris Green
The Neighbors: Griffiths/Richters
Jim & Pennie Guinn
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Richard Hammarstrom
Amie & David Hancey
JoAnn Hanson
Vickie Hanson
Barbara & Jeff Harmon
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In Memory of Charlotte Loren
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Black Bear Diner
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Book Printers of Utah
Boondocks
Bountiful City
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Charity Grow
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Classic Fun Center
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Clyde, Snow and Sessions Law
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Davies, Shelley
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dōTERRA
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Hogle Zoo
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Intermountain Healthcare
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Logo Concepts
Loveland Living Planet Aquarium
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McDonald’s
McGuire, Michelle
Moore, Jennifer
Mortensen, Alan & Robyn
Mountain America Credit Union
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Moulton, Truxton
Newman, Roger & Annette
Nickles, Mary from KUTV
Noble House
Nord Family Foundation
Ogden’s George S. Eccles Dinosaur Park
Olsen Acupuncture
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Plott, Katie
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Popcorn Cottage
Private Fairway powered by Trackman
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Russon Mortuary & Crematory
Ruth’s Chris Steak House
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Something Creative Here, LLC
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Stewart Title
Summit Global Investments
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Thanksgiving Point
TONYBURGERS
Tuacahn Center for the Arts
Tucano’s Grill
Utah Shakespeare Festival
Village Baker
Wingers
Woodward, Gary & Kristy
Workers Compensation Fund Insurance
Wright Family
Wright, Lee
Auditions will take place by appointment from 9:00 AM-12:00 Noon. The show runs March 13th through April 11th. Shelby Ferrin will direct, Aaron Ford will choreograph and Tara Wardle will music direct.
Bring any conflicts from January 6th through April 11th along with a headshot and resume to auditions. Callbacks are scheduled for Tuesday, January 7th and Wednesday, January 8th. Rehearsals will start Monday, January 13th.
Auditions are open to all performers 8 years and older. Children are encouraged to audition with a parent or guardian. All roles are open. Come prepared to sing 30 seconds or less of a song in the style of the show. Live accompaniment will be provided. No pre-recorded music please.
Auditions will take place at the theatre located at 525 North, 400 West in Centerville. Enter in the building on the west side basement entrance. Please email the theatre at kdavies@cptutah.org to schedule an audition time.
CHARACTER BREAKDOWN
Note: ages listed are approximate and represent how the characters read onstage, not necessarily the ages of the performers. Please note, where applicable, any requirements for on-stage intimacy or physicality.
MALE ROLES: HAROLD HILL: Smooth-talking con man and traveling salesman who beguiles the town before falling in love with Marian; overflowing with charm and charisma; kisses Marian; physically struggles with Charlie Cowell. RANGE: Ab2-F4, AGE: 30-45
MARCELLUS WASHBURN: Former con man and friend to Harold, now trying to settle down in River City; immensely likeable with comic timing; kisses Ethel; physically struggles with Charlie Cowell; leads an energetic dance. RANGE: A4-G2, AGE: 25-40
MAYOR GEORGE SHINN: The Mayor of River City, protective of his town and family; self-important, blustery, pompous, but not too bright. RANGE: Any, AGE: 40-60
WINTHROP PAROO: Marian’s adorable little brother who speaks with a lisp; precocious but moody. RANGE: C4-Eb5, AGE: 9-12
CHARLIE COWELL: Rival traveling salesman out to expose Harold Hill; determined and moralistic; kisses Marian; physically struggles with Marcellus and Harold; may also play a townsperson in some scenes. RANGE: Any, AGE: 25-45
TOMMY DJILAS: Trouble-making teenager who becomes an assistant leader of the boys’ band; rebellious but smart and handsome. RANGE: Any, AGE: 16-20
JACEY SQUIRES: Owner of livery stable and school board member who bickers with his peers before joining them in the barbershop quartet as the high tenor; married to Mrs. Squires. RANGE: C3-C5, AGE: 25-55
EWART DUNLOP: Owner of the general store and school board member who bickers with his peers before joining them in the barbershop quartet as the second tenor; married to Maud. RANGE: F3-F5, AGE: 25-55
OLIVER HIX: Banker and school board member who bickers with his peers before joining them in the barbershop quartet as the baritone; married to Alma. RANGE: B2-F4, AGE: 25-55
OLIN BRITT: Newspaper editor and school board member who bickers with his peers before joining them in the barbershop quartet as the bass. RANGE: F2-C4, AGE: 25-55
OTHER ROLES FOR MEN: Constable Locke, the town sheriff; Train conductor; Traveling salesmen; River City townspersons of all ages, shapes, and sizes some of them in “families”; River City boys/teens who sing, dance and join the boys’ band
FEMALE ROLES: MARIAN PAROO: Town librarian and piano teacher, sister of Winthrop and daughter of Mrs. Paroo; well-read, independent, head-strong, beautiful but elusive, hopelessly romantic but intensely guarded; kisses Harold and Charlie Cowell; RANGE: G3-A5, AGE: 25-35
MRS. PAROO: Widowed mother to Marian and Winthrop; sweet, cheerful, always busy, and slightly intrusive in her daughter’s love life; speaks with an Irish accent. RANGE: Ab3-Eb5, AGE: 45-55
EULALIE MACKECKNIE SHINN: Mayor Shinn’s peacock wife, a know-it-all busybody who knows everyone and everything in town; self-important, grandiose, gossipy, snobbish, and easily flattered; must have great comedic range without being over-the-top. RANGE: D4-D5, AGE: 40-50
AMARYLLIS: Marian’s piano student who likes Winthrop but teases him; sweet but a little bratty; must pretend to play the piano. RANGE: C4-E5, AGE: 9-12
ZANEETA SHINN: Mayor Shinn’s teenage daughter with a crush on Tommy Djilas; cute, feminine, a little daffy; dances energetically. RANGE: Any, AGE: 16-20
GRACIE SHINN: Mayor’s younger daughter. RANGE: Any, AGE: 9-12 ETHEL TOFFELMIER: Player piano player and town gossip who is dating Marcellus; jolly and friendly, but gossipy; kisses Marcellus. RANGE: Any, AGE: 25-35
ALMA HIX: Wife of Oliver Hix and a town gossip. RANGE: G4-G5, AGE: 25-45 MAUD DUNLOP: Wife of Ewart Dunlop and a town gossip. RANGE: G4-G5, AGE: 25-55 MRS. SQUIRES: Wife of Jacey Squires and a town gossip. RANGE: G4-G5, AGE: 25-55
OTHER ROLES FOR WOMEN/GIRLS: River City townspersons of all ages, shapes, and sizes, some of them in “families”; River City girls/teens who sing and dance.