Book, Music and Lyrics by:


Story by:




is presented through special arrangement with Music Theatre International (MTI).
All authorized performance materials are also supplied by MTI.



Executive Producer: Krista Davies
Director: Shelby Ferrin
Technical Director: Derek Walden
Assistant Technical Director: Truxton Moulton
Choreographer: Aaron Ford
Music Director: Tara Wardle
Stage Manager: Megan Call
Assistant Stage Manager: Kristin Callor
Costume Design Supervisor: Tammis Boam
Costume Shop Supervisor: Laurie Oswald
Costume Designer: Laurie Oswald
Costume Stitchers: Janet Amodt, Megan Ovard, Laurie Oswald
Lighting Designer: Jordan Fowler
Sound Designer: Derek Walden
Scenic Designer: Ricky Parkinson
Dance Captains: Marissa Callor, Shelby Wood
Scenic Charge Artist: Cynthia Klumpp
Set Painter: Janae Klumpp
Prop Master: Silas Stott
Shop Foreman: Truxton Moulton
Scenic Construction: Silas Stott, Randall Farrell, Truxton Moulton
Lighting Technicians: Dallin Alvey, Hannah Gibson-White
Sound Technicians: Camille Chandler, Hillary Horne
Spotlight Technicians: Josie Adams, Victoria Tolley, Jessica Turner, Emma Young
Stage Crew: TJ Bettolo, Cydney Hall, Amie Howell, Jill Howell, Emma Ingram, Nathan Liljenquist, Kennedy Miller, Chris Nelson, Andrew Pac


  • No cancellation or refunds.
  • Ticket exchanges must be made in person at the Box Office at least one business day prior to the performance. Exchanged tickets must be surrendered at that time. We cannot accommodate late changes. There will be a $5 exchange fee per ticket.
  • Season Ticket Holders are allowed one free exchange per show. Additional exchanges
    are $5 per ticket.
  • Reserved seating will be held until curtain after which alternate seating will be used.
  • Doors open 30 minutes before show time.
  • Late-comers cannot be guaranteed seating.
  • No children under the age of 3 years may attend any production.
  • Please do not bring outside food or drink into the theater.
  • Please turn off all pagers, cell phones, and other electronic devices.
  • The video and/or audio recording of this performance by any means whatsoever is strictly prohibited.
  • Box Office hours are Monday-Saturday 10:00AM – 6:00PM
  • Restrooms are located on both floors on the east and west sides of the building.

Board of Directors

Paul Cutler
Sterling Jenson
Vice Chair


James Ahlstrom
Shawn Beus
Jason Burningham
Kenneth Cutler
Michelle Falk
Gayla Gallacher


Cathleen Gilbert
Fred Hale
Kendalyn Harris
Lowell Leishman
Dan Liljenquist
John Redd
Clark Wilkinson
Lee Wright

Management Team

Jansen Davis, Executive Director
Krista Davies, Executive Producer
Brian Hahn, Leishman Hall Producer
Shelley L. Davies, Director of Development & Grant Coordinator
Amy R. Gapinski, Marketing Coordinator
Holly K. Reid, Public Relations & Social Media Specialist
Danny & Wendy Inkley, Directors CenterPoint Academy
Kristy Woodward, Chief Financial Officer
Keri Stewart, Staff Accountant
Diana Jensen, Box Office Manager
Laurie Hahn, House Manager, Volunteer Coordinator
Derek Walden, Technical Director
Truxton Moulton, Asst Technical Director/Shop Foreman
Tammis Boam, Costume Department Manager
Laurie Oswald, Costume Shop Supervisor
Cynthia Klumpp, Scenic Charge Arttist
Silas Stott, Property Manager

Box Office Staff: Lucille Leonard, Janice Spencer, Rachel Jensen, Pam Christy, Beverly Cutler, Jenine Spencer, Chris Brown.

Concessions Staff Walter Inkley, Ashley Kunz, Grace Liljenquist, Emi Robinson, Morgan Smith,
Ava Wilde.

IT Staff: Mark Wagstaff

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  • No cancellation or refunds.
  • Ticket exchanges must be made in person at the Box Office at least one business day prior to the performance. Exchanged tickets must be surrendered at that time. We cannot accommodate late changes. There will be a $5 exchange fee per ticket.
  • Season Ticket Holders are allowed one free exchange per show. Additional exchanges
    are $5 per ticket.
  • Reserved seating will be held until curtain after which alternate seating will be used.
  • Doors open 30 minutes before show time.
  • Late-comers cannot be guaranteed seating.
  • No children under the age of 3 years may attend any production.
  • Please do not bring outside food or drink into the theater.
  • Please turn off all pagers, cell phones, and other electronic devices.
  • The video and/or audio recording of this performance by any means whatsoever is strictly prohibited.
  • Box Office hours are Monday-Saturday 10:00AM – 6:00PM
  • Restrooms are located on both floors on the east and west sides of the building.

Sixteen months ago, I sat down with the cast of this show and shared a vision. I told them that The Music Man is a slice of fresh-from-the-oven, all-American, home-made apple pie with a time-tested recipe. All we had to do was bring together the highest-quality ingredients, measure twice, mix with care, and bake, and we knew we’d get an incredibly rich, flaky, sweet slice of deliciousness. They bought into that vision and made a confection that was out of this world!


After months of rehearsal, it was on the eve of their opening night last March that the governor issued an emergency order closing public gatherings to contain the spread of COVID-19, so instead of sharing their apple pie with the world, they waited, and waited, and waited.


And now, at long last, their pie is out of the oven! It is as fresh and delicious as ever, in some ways all the sweeter after a year of anticipation!


We hope you will find in this production of The Music Man everything you’ve ever loved about it and maybe a little bit more. We were committed to telling this story with authenticity and heart, because when you look past all the nostalgia and razzmatazz, the messages it contains are not only timeless but incredibly timely.


At the center of this story is a charismatic con man, but all around him are characters who grow and change in remarkable ways: a boy finding his voice in spite of a disability, a hooligan learning responsibility, a group of judgmental gossipers accepting others, and men who have fought for years making beautiful music. An entire city is energized, and ultimately, a woman’s love and faith change even the opportunistic liar’s heart for good.


Despite a world that often feels more divisive than ever, I believe in the power of connection and understanding to heal our divides. Community theatre brings performers and audience members of all types together. When we set our differences aside and focus on what we have in common – the opportunity to tell this beautiful story, for example – we can build a better world, one heart and mind at a time. With brighter days once again ahead of us, please join us in imagining what our own “River City” can be.


Shelby Ferrin Director


River City, a small, quiet town in Iowa, is populated with upright common folk bristling with mistrust of the unfamiliar, especially smooth-talking salesmen like Harold Hill. Hill plays on their provincial natures to induce hysteria over the new Pool Hall and drum up support for his own shady venture- a brass band for the local youth.


With the town on board and excited at this new venture, they begin to pay Professor Hill to order instruments and uniforms and in return Harold begins to teach them how to read music by using the “Think System,” in which one only has to think about the notes in order to play them.


Everyone is entranced by this new visitor, everyone but the librarian Marian Paroo. As a music teacher herself, Marian finds Hill’s methods suspect. She begins to search for information that would incriminate him but hesitates upon observing her younger brother’s newfound confidence resulting from Harold’s captivating rouse. Marian and Harold begin spending more time with each other and she soon finds herself falling for the handsome newcomer.


Just as the town is preparing for the much-anticipated ice cream sociable, the sinister rival salesman Charlie Cowell arrives, prepared to expose Harold and get him arrested.


It will take more than a little luck and love for Harold to sweet-talk his way out of this sticky situation as this delightful musical marches across the CenterPoint stage.

Scene / Song List

ACT I                   


Scene 1: Train

  • Rock Island: Charlie Cowell, Salesman 

Scene 2: River City Town Square

  • Iowa Stubborn: Townspeople
  • Ya Got Trouble: Harold, Townspeople

Scene 3: River City Street

Scene 4: The Paroo Home

  • Piano Lesson/If You Don’t Mind Saying So: Marian, Mrs. Paroo
  • Goodnight My Someone: Marian, Amaryllis

Scene 5: Madison Gymnasium

  • Columbia, Gem of the Ocean: Townspeople
  • Ya Got Trouble (Reprise): Harold
  • Seventy-Six Trombones: Harold, Townspeople             
  • Ice Cream/Sincere: Harold, Quartet

Scene 6: Street in front of Madison Library

  • The Sadder But Wiser Girl: Harold, Marcellus
  • Pick-a-Little, Talk-a-Little/Goodnight Ladies: Eulalie, Alma, Ethel, Mrs. Squires, Maud, Harold, Quartet

Scene 7: Madison Library

  • Marian the Librarian: Harold, Marian, Teen Ensemble

Scene 8: River City Street

Scene 9: The Shinn Home

Scene 10: The Paroo Home

  • My White Knight: Marian

Scene 11: River City Town Square

  • The Wells Fargo Wagon: Townspeople






Scene 1: Madison Gymnasium

  • Eulalie’s Ballet: Eulalie, Alma, Ethel, Mrs. Squires, Maud
  • It’s You: Quartet
  • Shipoopi: Marcellus, Harold, Marian, Ethel, Teen Ensemble
  • Pick-a-Little, Talk-a-Little (Reprise): Eulalie, Alma, Ethel, Mrs. Squires, Maud, The Ladies

Scene 2: River City Hotel

  • Lida Rose/Will I Ever Tell You?: Quartet, Marian

Scene 3: The Paroo Home

  • Gary, Indiana: Winthrop, Mrs. Paroo, Marian
  • Lida Rose (Reprise): Quartet

Scene 4: The Footbridge

  • Till There Was You: Marian, Harold
  • Goodnight/Seventy-Six Trombones (Double Reprise): Harold, Marian

Scene 5: Madison Picnic Park

Scene 6: River City Street/Street in front of Library

  • Till There Was You (Reprise): Harold

Scene 7: Madison Gymnasium

Character M/W/F T/Th/S
Harold Hill Russell Maxfield Ben Lowell
Marian Paroo Mailee Halpin Julie Barker Meier
Marcellus Washburn John Lee Roring Craig Williams
Mrs. Paroo Judy Cook Binns Wanda Copier
Winthrop Paroo Micah Thornton Boston Clemens
Amaryllis Bridget Maxwell Emilee Jensen
Mayor Shinn Chad Wilkinson Mark Gurney
Eulalie Shinn Angela Brown Jocelyn Stayner Gibbons
Zaneeta Shinn Tyler Bender Maura Gardner
Gracie Shinn Emmalee Larsen Libby Severinsen
Jacey Squires Nathan Asay Wayne Shipley
Ewart Dunlop Eric Corrington Jon Moody
Oliver Hix Paul Dixon Aaron Burgoyne
Olin Britt Jeffery Duncan Rob Severinsen
Alma Hix Brooke Liljenquist Heather Allgaier
Maude Dunlop Kim Allen Tolman Lindsey Stephens
Ethel Toffelmier Amanda Rogers Camille Crawley
Mrs. Squires Kellie Chapman Brittney Ann Mosher
Tommy Djilas Brevin Gardner Braden Duke
Charlie Cowell Micah Young Donovan Crane
Constable Locke Greg Larsen Zar Hayes
Man 1 Meish Roundy Tyler Clawson
Man 2 Dan Cook Mark Palmer
Man 3 Nelden Maxfield David Duke
Man 4 Bradley Howell Justin Palmer
Woman 1 Amelia Joan Bowles Shelby Wood
Woman 2 Shayla Rowley Chantryce Diehl
Woman 3 Deveri Thornton Annette Palmer
Boy 1 Ben Liljenquist Jay Remington
Boy 2 Tyler Anderson Wyatt Moody
Boy 3 Jaden Bickle Romney Mathewson
Girl 1 Sophie Utley Brooklynn Cluff
Girl 2 Becca Marsden Caroline Pace
Girl 3 Marissa Callor Julia Bradford
Child 1 Lincoln Pykles McKay Clemens
Child 2 JD Young Ross Clemens
Child 3 Rose Wilkinson Amy Gurney
Child 4 Ainsley Monroe Hannah Moody

In CenterPoint Legacy Theatre’s production of The Music Man, Russell Maxfield gets to honor his Father in a unique way: by figuratively and literally walking in his shoes. As a child, Russell had the opportunity to play Winthrop while his Dad played Harold Hill for Pages Lane Theatre production. Now, Russell takes on the role of Harold Hill while his Father joins the ensemble and he might even get to wear a pair of his Dad’s Harold Hill shoes on stage.

Russell grew up knowing and loving the music and story of The Music Man, but now sees how deep the storyline goes. He feels like there are many connections to our lives in Centerville and Davis County. He says, “The good guy really starts off as the bad guy. He ends up changing the town and the town changes him.” Russell began on the stage at age 6 at Pages Lane Theatre, with Ralph Rodgers being a big part of why he originally began acting. While playing the part of Winthrop, Russell tried to learn the trumpet but eventually steered toward vocal performances. As a young boy he remembers seeing The Music Man’s Director, Shelby Ferrin, play Joseph in Joseph and the Amazing Technicolor Dreamcoat and it inspired Russell to play the same role as an adult. Some of his favorite roles have been when he’s playing the good guy, like Joseph, or the bad guy, like Gaston in Disney’s Beauty and the Beast. With the role of Harold Hill, Russell feels like he gets to explore both those character types.

Russell is happy to be back at CenterPoint where he knows the people from the community where he grew up. He appreciates that CenterPoint is a community theater with high quality performances. He encourages people to come find something new in The Music Man. He notes, “The Music Man feels like the original Hamilton. There is so much fast, rhythmic speaking that almost feels like rapping. The more you get into the music and story it is even better than you will remember.” He hopes that audiences will enjoy this look into a time when a small community learns to welcome differences that add value to their lives.


Amanda Rogers is no stranger to the classic story of The Music Man. As Ethel Toffelmier in the M/W/F cast, Amanda is pleased to be a part of this musical for the third time. This time she dedicates her performance to her father whom she shared the stage with during her two previous productions and who passed away six years ago. Her father had been Marcellus in these shows and Amanda honors him in the role closest to Marcellus – Ethel Toffelmier.


Community theater has long been a past-time of Amanda’s. She began as a child in Riverton, Bluffdale, and Sandy community productions. Amanda grew up sharing the stage with her family in many productions. Last season she loved joining CenterPoint’s team in the production of My Fair Lady and remembers how fun the costumes were that helped the cast transform from high society to servants throughout the show. One of her favorite roles has been Princess Puffer in The Mystery of Edwin Drood. She loved playing a character outside of her comfort zone and the audience participation that changes the end of the show always kept the cast on their toes.


CenterPoint is honored to have Amanda and the rest of the The Music Man casts make this production an unforgettable tribute to the power of community. She tells about this production, “The Music Man is a simple show with so much heart. The music is upbeat and happy and perfect for wintertime.” When asked about what she likes about being onstage at CenterPoint, she responded, “the professionalism of the whole production team from the costumes, to sets, and lighting. Also, it feels like family.” As Amanda honors her father and her family through the portrayal of Ethel Toffelmier, we know that you will leave The Music Man with a skip in your step.

Thank you to our 2021 Season Show Sponsors!

First Community Bank

WCF Insurance

Cache Valley Bank

Scott and Karen Keller

Dewsnup, King, Olsen, Worel, Havas, Mortensen Attorneys At Law

Krista Davies
Executive Producer

Krista is grateful to once again work on another production with incredibly dedicated and talented people.

_Ferrin, Shelby
Shelby Ferrin

Shelby is proud to contribute to the Utah theater community as a director, actor and designer. He recently directed CenterPoint’s theatrical staging of A Christmas Carol as well as Terrace Plaza Playhouse’s record-setting production of Mamma Mia! He dedicates this production to his gorgeous wife, their three wonderful children and his father, from whom he learned everything.

Derek Walden
Technical Director
Lighting & Sound Designer

Derek is happy to oversee all of the technical operations of both the Barlow Mainstage and the Leishman Performance Hall Productions. He’s an alumnus of the Weber State Theater program.

Moulton, Truxton_8x9
Truxton Moulton
Assistant Technical Director/Shop Foreman

This is Truxton’s first season at CenterPoint Legacy Theatre and he is excited to join the team. He has worked many different venues across Utah, from Old Lyric Repertory, Pioneer Theatre and the LDS Conference Center. Most recently he was the ATD at Tuacahn. He is also the proud father of 5 awesome kids and luckiest man to be married to his wife of 14 years Megan.

_Wardle,Tara (1)
Tara Wardle
Music Director

If Tara isn’t music directing on the Barlow Main Stage or music directing CenterPoint Academy kiddos, she is home being a mom to her 4 high-spirited kids. She loves all things music, studio recording, seeing Broadway shows with her husband and reading all the Harry Potter books ten times over.

_Ford, Aaron
Aaron Ford

Aaron has been performing continuously over the past 20+ years. Credits include: Buddy in Elf, Bert in Mary Poppins, Miss Trunchbull in Matilda and Corny Collins in Hairspray. He has choreographed at venues such as: Lagoon, MMST, Kaysville City and various high schools. “Thank you, CPT for this opportunity and to Bryant & Loved Ones for your Support!”

_Call, Megan (2)
Megan Call
Stage Manager

Megan is thrilled to be working with this phenomenal production team and stellar cast! She loves and has worked in all aspects of theater. She directs the CenterPoint Academy musical theater “Littles Class” and the future of theatre is bright! “Dare to be authentic. Dare to believe in the thing that you have that no one else does. Dare to be special!”

_Callor, Kristin (2)
Kristin Pettingill Callor
Assistant Stage Manager

Kristin is thrilled to be back Stage Managing at CenterPoint Legacy Theatre. She also has worked as the Artistic Director for the Kaysville City summer musical for the past 22 years and loves watching the impact theater makes on a community. She recently retired her youth theater studio of 16 years and spent the summer flying with Chitty Chitty Bang Bang Jr. with the CenterPoint Academy.

_Oswald,Laurie (2)
Laurie Oswald
Costume Designer

Laurie Oswald has costumed a wide variety of shows for many years. Her work was last seen in Holiday Inn at CenterPoint Legacy Theatre. She is excited to work with such a wonderful cast and production team.

_Fowler, Jordan
Jordan Fowler
Lighting Designer

Jordan is so excited to add The Music Man to the long list of shows that he has had the opportunity to be a part of at CenterPoint Legacy Theatre. You may have seen his work on Lend Me A Tenor and The 25th Annual Putnam County Spelling Bee. “Thank you to my sweet fiancé, Jessica for all of the love and support I can ask for.”

_Parkinson, Ricky (2)
Ricky Parkinson
Scenic Designer

Ricky’s sets have been seen at CenterPoint for many years: most recently My Fair Lady and Crazy for You. Other favorites have been Jekyll and Hyde and White Christmas. He has also designed sets for Sandy Amphitheater’s Disney’s Beauty and the Beast, Murray Amphitheater’s Thoroughly Modern Millie and Midvale Theater’s Noises Off. He enjoys performing throughout the Wasatch Front as well, and can’t wait to be back on stage at CenterPoint.

_Klumpp, Cynthia
Cynthia Klumpp
Scenic Charge Artist

The Music Man marks Cynthia’s 43rd show at CenterPoint. She has loved making every show come to life on the CPT stage. She also serves as the Scenic Charge Artist at Tuacahn Ampitheatre. You may have seen her work at this past year’s Prince of Egypt, Cinderella and Matilda.

She is grateful to her family for their undying support and love.

Silas Stott
Property Manager

Silas loves being on stage and behind the scenes. He’s thrilled to be working with this insanely talented production team and cast.

DeLonne Anderson
Family Foundation
Haven J. & Bonnie R. Barlow Foundation
Bill & Pat Child
Forever Young Foundation
Fred & Cheryl Hale
Sterling K. & Joleen D. Jenson
Timo & Judy Jones
Family Foundation
Lowell & Connie Leishman
Alan & Robyn Mortensen
Robert & Peggy Steed

Intermountain Healthcare

DeLonne Anderson Family Foundation
Haven J. & Bonnie R. Barlow Foundation
Bill & Pat Child
Forever Young Foundation
Fred & Cheryl Hale
Sterling K. & Joleen D. Jenson
Timo & Judy Jones Family Foundation
Lowell & Connie Leishman
Alan & Robyn Mortensen
Robert & Peggy Steed

Centerville Redevelopment Agency
Coronavirus Aid, Relief, and Economic Security Act
State of Utah Legislature
Utah Department of Arts & Museums

Davis County Tourism & Events – Discover Davis


Haven J. & Bonnie R. Barlow Foundation
Bountiful City RAP
Centerville City RAP
The Church of Jesus Christ of Latter-Day Saints Foundation
Ken & Lois Cutler Family
George S. and Dolores Dore’ Eccles Foundation
Mountain America Credit Union
Samuel C. – Myra G. Powell Foundation
West Bountiful City

CASA Family Foundation
The Church of Jesus Christ of Latter-Day Saints Foundation
Robert Gibson Mataele & Isaiah Mataele
Sorenson Legacy Foundation
Bill & Connie Timmons Foundation
Clark & Jennifer Whitworth

Bill Child
Cast of A Christmas Carol 2020
Rocky Mountain Power Foundation
SPAN Foundation
Lee & Tricia Wright

Rhea & Richard Anderson
Karen Baty
Kristina & William Boler
Carr Family Fund
Clark & Gwen Christian
Daniel Fredrickson
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Maralyn Johnson
Logo Concepts
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RateNow, LLC
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Sarah Sharp
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Robert & Carol Weddington
Scott & Tey West

In Honor of Clark & Thomas Bullen
Will & Carol Cluff
Bryan Flandro
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Jennifer Johnson
Kimberly Klintworth
Roy & Catherine Rasband
Bill & Beth Sanders
Amilee Selfridge

Kathleen Bailey
Norman & Nina Beers
Kent & Annette Chambers
Tom Checketts
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Lee & Debbie Garner
Legacy School of Dance
Lowell Leishman
Brian Noble
In loving memory of Eileen Hess Ostler
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Scott & Robyn Stringham

Scott & Carolyn Allen
Carol & Reuben Anderson
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Hall Blankenship
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In Memory of Ann Dearden Clark
Jacob Cook
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Paula Willhard
Cambria Williams
Taylor Winzeler
Heather Wright
Terrie Wright
Annie Yates
Connie Young

A special “THANK YOU” to donors of their 2020 Season & Single Ticket Purchases to sustain CPT through the pandemic:

Louise Ahern
Sarah Allen
Kristy Allgood
Mikki Anderson
Glen Andrus
Cindy & Paul Barlow
LuRae Barlow
Joseph & Valerie Barrett
Jeanie Bean
Michelle Bennett
John Berven
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Lyn Downing
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Matt Edgington
John Eggett
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Mark Farmer
J Douglas Ferguson
Colleen Fisher
Steve Forsyth
Allan Foxley
Sally & Ron Francis
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Rosemary Gadd
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Marjorie Gardner
Linda Garn
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Denise Geurts
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Roxanne Graham
Suzanne Grainger
Winona Graves
Marcia Gridley
Meredith Groneman
Shelia & Scott Hadley
Jane Hall
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CenterPoint Legacy Theatre 2021

CenterPoint Legacy Theatre announces auditions for ‘The Music Man’ on Saturday, January 4th.

Auditions will take place by appointment from 9:00 AM-12:00 Noon. The show runs March 13th through April 11th. Shelby Ferrin will direct, Aaron Ford will choreograph and Tara Wardle will music direct.

Bring any conflicts from January 6th through April 11th along with a headshot and resume to auditions. Callbacks are scheduled for Tuesday, January 7th and Wednesday, January 8th. Rehearsals will start Monday, January 13th.

Auditions are open to all performers 8 years and older. Children are encouraged to audition with a parent or guardian. All roles are open. Come prepared to sing 30 seconds or less of a song in the style of the show. Live accompaniment will be provided. No pre-recorded music please.

Auditions will take place at the theatre located at 525 North, 400 West in Centerville. Enter in the building on the west side basement entrance. Please email the theatre at to schedule an audition time.

Character Breakdown


Note: ages listed are approximate and represent how the characters read onstage, not necessarily the ages of the performers. Please note, where applicable, any requirements for on-stage intimacy or physicality. 

MALE ROLES: HAROLD HILL: Smooth-talking con man and traveling salesman who beguiles the town before falling in love with Marian; overflowing with charm and charisma; kisses Marian; physically struggles with Charlie Cowell. RANGE: Ab2-F4, AGE: 30-45 

MARCELLUS WASHBURN: Former con man and friend to Harold, now trying to settle down in River City; immensely likeable with comic timing; kisses Ethel; physically struggles with Charlie Cowell; leads an energetic dance. RANGE: A4-G2, AGE: 25-40 

MAYOR GEORGE SHINN: The Mayor of River City, protective of his town and family; self-important, blustery, pompous, but not too bright. RANGE: Any, AGE: 40-60 

WINTHROP PAROO: Marian’s adorable little brother who speaks with a lisp; precocious but moody. RANGE: C4-Eb5, AGE: 9-12 

CHARLIE COWELL: Rival traveling salesman out to expose Harold Hill; determined and moralistic; kisses Marian; physically struggles with Marcellus and Harold; may also play a townsperson in some scenes. RANGE: Any, AGE: 25-45

TOMMY DJILAS: Trouble-making teenager who becomes an assistant leader of the boys’ band; rebellious but smart and handsome. RANGE: Any, AGE: 16-20 

JACEY SQUIRES: Owner of livery stable and school board member who bickers with his peers before joining them in the barbershop quartet as the high tenor; married to Mrs. Squires. RANGE: C3-C5, AGE: 25-55 

EWART DUNLOP: Owner of the general store and school board member who bickers with his peers before joining them in the barbershop quartet as the second tenor; married to Maud. RANGE: F3-F5, AGE: 25-55 

OLIVER HIX: Banker and school board member who bickers with his peers before joining them in the barbershop quartet as the baritone; married to Alma. RANGE: B2-F4, AGE: 25-55 

OLIN BRITT: Newspaper editor and school board member who bickers with his peers before joining them in the barbershop quartet as the bass. RANGE: F2-C4, AGE: 25-55 

OTHER ROLES FOR MEN: Constable Locke, the town sheriff; Train conductor; Traveling salesmen; River City townspersons of all ages, shapes, and sizes some of them in “families”; River City boys/teens who sing, dance and join the boys’ band

FEMALE ROLES: MARIAN PAROO: Town librarian and piano teacher, sister of Winthrop and daughter of Mrs. Paroo; well-read, independent, head-strong, beautiful but elusive, hopelessly romantic but intensely guarded; kisses Harold and Charlie Cowell; RANGE: G3-A5, AGE: 25-35 

MRS. PAROO: Widowed mother to Marian and Winthrop; sweet, cheerful, always busy, and slightly intrusive in her daughter’s love life; speaks with an Irish accent. RANGE: Ab3-Eb5, AGE: 45-55 

EULALIE MACKECKNIE SHINN: Mayor Shinn’s peacock wife, a know-it-all busybody who knows everyone and everything in town; self-important, grandiose, gossipy, snobbish, and easily flattered; must have great comedic range without being over-the-top. RANGE: D4-D5, AGE: 40-50

AMARYLLIS: Marian’s piano student who likes Winthrop but teases him; sweet but a little bratty; must pretend to play the piano. RANGE: C4-E5, AGE: 9-12 

ZANEETA SHINN: Mayor Shinn’s teenage daughter with a crush on Tommy Djilas; cute, feminine, a little daffy; dances energetically. RANGE: Any, AGE: 16-20 

GRACIE SHINN: Mayor’s younger daughter. RANGE: Any, AGE: 9-12 ETHEL TOFFELMIER: Player piano player and town gossip who is dating Marcellus; jolly and friendly, but gossipy; kisses Marcellus. RANGE: Any, AGE: 25-35 

ALMA HIX: Wife of Oliver Hix and a town gossip. RANGE: G4-G5, AGE: 25-45 MAUD DUNLOP: Wife of Ewart Dunlop and a town gossip. RANGE: G4-G5, AGE: 25-55 MRS. SQUIRES: Wife of Jacey Squires and a town gossip. RANGE: G4-G5, AGE: 25-55 

OTHER ROLES FOR WOMEN/GIRLS: River City townspersons of all ages, shapes, and sizes, some of them in “families”; River City girls/teens who sing and dance.

(An email address or cell # is required for reminder purposes only)

contact us

Ticket Policies

  • In consideration of our patrons, no children under 3 are permitted in the theatre. Some productions may not be appropriate for all 3 year-olds. Parents should be the guide for young patrons. No babes in arms will be permitted.
  • No cancellations or refunds.
  • Ticket exchanges must be made in person at the Box Office at least one business day prior to the performance. Exchanged tickets must be surrendered at that time. We cannot accommodate late exchanges. There is a $5 exchange fee per ticket. Season Ticket Holders are allowed one free exchange per show. Additional exchanges are $5 per ticket.
  • Reserved seating will be held until curtain, after which alternate seating will be used. Doors open 30 minutes before show time. Patrons arriving after the start of the performance will be seated at the discretion of management. Late-comers cannot be guaranteed seating.
  • The use of cameras, recording devices, phones, radios and pagers is strictly prohibited.
  • Please do not bring outside food or drink into the theatre.

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